Stealing the Club from Hercules

On Imitation in Latin Poetry

Thumbnail
Download Url(s)
https://library.oapen.org/bitstream/20.500.12657/31311/1/631773.pdf
---
https://library.oapen.org/bitstream/20.500.12657/31311/1/631773.pdf
---
https://library.oapen.org/bitstream/20.500.12657/31311/1/631773.pdf
Author(s)
Conte, Gian Biagio
Collection
Knowledge Unlatched (KU)
Language
English
Show full item record
Abstract
In this book, conceived as a sort of Prolegomena to his two Teubner editions, Conte gives account of his choices in editing his Virgilian text. Engaging in a passionate debate with his predecessors and critics, he guides the reader in a fascinating journey in the history of transmission and interpretation of Georgics and Aeneid and shows how lively textual criticism can be.
URI
https://directory.doabooks.org/handle/20.500.12854/34445
Keywords
Classics; Classics; Aeneas; Aeneid; Homer; Intertextuality; Philology; Structuralism; Virgil
DOI
10.26530/oapen_631773
ISBN
9783110475838
Publisher
De Gruyter
Publisher website
http://www.degruyter.com/
Publication date and place
Berlin/Boston, 2017-04-30
Grantor
Rights
https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
open access
Except where otherwise noted, this item's license is described as open access