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Stealing the Club from Hercules

On Imitation in Latin Poetry

dc.contributor.authorConte, Gian Biagio
dc.date.accessioned2021-02-10T12:58:18Z
dc.date.issued2017-04-30
dc.date.submitted2017-06-01 23:55:55
dc.date.submitted2020-03-21 03:00:29
dc.date.submitted2020-04-01T13:30:35Z
dc.identifier631773
dc.identifierOCN: 994207072
dc.identifierhttp://library.oapen.org/handle/20.500.12657/31311
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/34445
dc.description.abstractIn this book, conceived as a sort of Prolegomena to his two Teubner editions, Conte gives account of his choices in editing his Virgilian text. Engaging in a passionate debate with his predecessors and critics, he guides the reader in a fascinating journey in the history of transmission and interpretation of Georgics and Aeneid and shows how lively textual criticism can be.
dc.languageEnglish
dc.rightsopen access
dc.subject.otherClassics
dc.subject.otherClassics
dc.subject.otherAeneas
dc.subject.otherAeneid
dc.subject.otherHomer
dc.subject.otherIntertextuality
dc.subject.otherPhilology
dc.subject.otherStructuralism
dc.subject.otherVirgil
dc.titleStealing the Club from Hercules
dc.title.alternativeOn Imitation in Latin Poetry
dc.typebook
oapen.identifier.doi10.26530/oapen_631773
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isFundedBy969f21b5-ac00-4517-9de2-44973eec6874
oapen.relation.isFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9
oapen.relation.isbn9783110475838
oapen.collectionKnowledge Unlatched (KU)
oapen.place.publicationBerlin/Boston
oapen.grant.number100172
oapen.grant.programKU Select 2016 Front List Collection
dc.number100172
dc.relationisFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9


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open access
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