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            The English Trade in Nightingales

            Italian Opera in Nineteenth-Century London

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            https://library.oapen.org/bitstream/20.500.12657/29391/1/1000566.pdf
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            https://library.oapen.org/bitstream/20.500.12657/29391/1/1000566.pdf
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            https://library.oapen.org/bitstream/20.500.12657/29391/1/1000566.pdf
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            https://library.oapen.org/bitstream/20.500.12657/29391/1/1000566.pdf
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            https://library.oapen.org/bitstream/20.500.12657/29391/1/1000566.pdf
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            https://library.oapen.org/bitstream/20.500.12657/29391/1/1000566.pdf
            Author(s)
            Zechner, Ingeborg
            Collection
            Austrian Science Fund (FWF)
            Language
            English
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            Abstract
            This books deals with the Italian opera business in nineteenth century-London. A special emphasis lies on the opera singers as the most important protagonists of the London system. This special role will be examined through the analysis of the opera audience in London, the contractual practice and the tradition of the adaptation of operas to the likes of the London market as well as the substitution of arias.
             
            Die Publikation beschäftigt sich mit dem italienischen Opernwesen im London des 19. Jahrhunderts. Im Vordergrund stehen die Sänger als tragende Protagonisten des Londoner Opernsystems. Deren Bedeutung für den Londoner Opernmarkt wird mithilfe einer Analyse des Londoner Opernpublikums, der Vertragspraxis der Zeit und der Adaptions- und Einlagearienpraxis festgemacht.
             
            URI
            https://directory.doabooks.org/handle/20.500.12854/31267
            Keywords
            Italian opera; London; nineteenth century; singers; singers contracts; court proceedings; Her Majesty’s Theatre; Royal Italian Opera House Covent Garden; adaptation of operas; substitution of arias; opera audience; opera market; Italienische Oper; London; 19. Jahrhundert; Sänger; Sängerverträge; Gerichtsprozesse; Her Majesty’s Theatre; Royal Italian Opera House Covent Garden; Adaptionspraxis; Einlagearienpraxis; Opernpublikum; Opernmarkt; Italy; Libretto; Pauline Viardot
            Publication date and place
            2017
            Grantor
            • Austrian Science Fund
            Imprint
            Böhlau
            Pages
            406
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              This project received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 871069.

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