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            L'uomo, il suono e la musica

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            https://library.oapen.org/bitstream/20.500.12657/34750/1/356375.pdf
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            https://library.oapen.org/bitstream/20.500.12657/34750/1/356375.pdf
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            https://library.oapen.org/bitstream/20.500.12657/34750/1/356375.pdf
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            https://library.oapen.org/bitstream/20.500.12657/34750/1/356375.pdf
            Author(s)
            Alessandro, Bertirotti
            Language
            Italian
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            Abstract
            Among the channels of human expression, perhaps the richest of all is music, through which people can express their emotions – in a continuum ranging from joy to grief, from excitement to depression – in a manner that is socially and culturally accessible and acceptable. This book addresses the aspects involved in both producing and listening to music from the point of view of cognitive science. Arguments that might appear hard for non-specialists to understand are addressed in a clear and accessible language. An enthralling itinerary through the various aspects of the human relationship with music that underscores how the long path from the first sounds that man has produced and identified in nature through to the most modern compositions are the result of a process of rationalisation gravitating around the multiform relationship between man, the environment and musical creation.
             
            Fra i canali d'espressione dell'uomo il più ricco è forse la musica, che permette di esprimere le proprie emozioni – in un continuum che va dalla gioia al dolore, dalla esaltazione alla depressione – in modi socialmente e culturalmente accessibili e accettabili. Il volume affronta, dal punto di vista della scienza cognitiva, gli aspetti coinvolti sia nel produrre che ascoltare musica. Questi argomenti, che possono sembrare di non facile comprensione ai non specialisti, sono affrontati con un linguaggio chiaro e accessibile. Viene così costruito un appassionante percorso su alcuni aspetti del rapporto dell'uomo con la musica, che evidenzia come il lungo cammino dai primi suoni che l'uomo ha prodotto e individuato nella natura sino alle composizioni più moderne sia il risultato di un processo di razionalizzazione che ha visto al centro il multiforme rapporto fra uomo, ambiente e creazione musicale.
             
            URI
            https://directory.doabooks.org/handle/20.500.12854/29448
            Keywords
            antropologia; music; anthropology; musica; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology; thema EDItEUR::J Society and Social Sciences::JM Psychology::JMA Psychological theory, systems, schools and viewpoints::JMAQ Cognitivism, cognitive theory
            DOI
            10.26530/OAPEN_356375
            ISBN
            8884530733
            Publisher
            Firenze University Press
            Publisher website
            www.fupress.com/
            Publication date and place
            2003
            Classification
            Theory of music and musicology
            Cognitivism, cognitive theory
            Rights
            Copyright FUP
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              This project received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 871069.

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