Gespaltene Bilder
Techniken; Materialitäten und Medien der Intarsie
Abstract
Image or furniture? Sign or object? Renaissance Intarsia cannot be clearly categorized and instead create hallucinatory spaces in which ontological distinctions are impossible. Material; function; production and depiction are inextricably intertwined here and create a visual language unique to the medium. The countless trompe-l'œils question a logic of representation based on imitation and instead expose an excessive; exuberant and rampant mimesis. This study approaches the thoroughly hybrid object of wood marquetry with the help of different disciplinary perspectives and provides a media-materialistic and cultural-techniques-based analysis.
Keywords
art history; New Materialism; New Material FeminismWebshop link
https://www.nomos-shop.de/de/p ...ISBN
9783988580405, 9783988580399Publisher
Nomos Verlagsgesellschaft mbH & Co. KGPublisher website
https://www.nomos.de/Publication date and place
Baden-Baden, 2025Imprint
Rombach WissenschaftSeries
Theorie und Geschichte der Kulturtechniken, 3Classification
Non-graphic and electronic art forms
Pages
290
Except where otherwise noted, this item's license is described
as
https://creativecommons.org/licenses/by/4.0/