Architecture et scénographie dans les théâtres mineurs 1750–1850

doi:10.5771/9783987401299

Download Url(s)

https://doi.org/10.5771/9783987401299

Contributor(s)

Bortolotti, Raphaël (editor)

Brunello, Giulia (editor)

Kappeler, Annette (editor)

Language

French

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Abstract

During the eighteenth and nineteenth centuries, at a time when the debate on theatre architecture was in full swing, Europe witnessed an unprecedented boom in the construction of performance spaces on the fringes of main theatres in metropoles: provincial theatres, secondary stages or theatres in private salons. This book examines spaces and components of these ‘minor’ theatres, not only in terms of architecture but also of their scenography. Through a wide range of case studies and rich iconographic material, this volume describes the solutions adopted in different cases, highlighting the challenges these theatres were facing and illustrating the dynamics between centres and provinces.

URI

https://directory.doabooks.org/handle/20.500.12854/153321

Keywords

Antonio Niccolini; Alessandro Sanquirico; Simon Quaglio; Giuseppe Pistocchi; Innocente Colomba; Galliari; iconographics; Vienna biedermeier; età napoleonica; Teatro del Broletto di Lodi; teatro di Lesina Hvar; Schlosstheater Ludwigsburg: Teatro Comunale “Angelo Masini” di Faenza; Teatro dell’Aquila di Fermo