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Filmische Seitenblicke

Cinepoetische Exkursionen ins Kino von 1968

dc.contributor.editorKappelhoff, Hermann
dc.contributor.editorLötscher, Christine
dc.contributor.editorIllger, Daniel
dc.date.accessioned2022-11-22T04:12:11Z
dc.date.available2022-11-22T04:12:11Z
dc.date.issued2018
dc.date.submitted2022-11-21T16:35:25Z
dc.identifierONIX_20221121_9783110618945_102
dc.identifierOCN: 1076414702
dc.identifier2509-4351
dc.identifierhttps://library.oapen.org/handle/20.500.12657/59559
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/94202
dc.description.abstractDid 1968 fail? The question is misstated. For the significance and consequences of ’68 cannot be captured in a coherent narrative. That year appears as the point of culmination of a set of highly heterogeneous cultural, social, and political phenomena. Cinema, with its classics and gems to be (re-)discovered, proves to be a kaleidoscope that lets us perceive the fractures and contradictions of ’68.
dc.languageGerman
dc.relation.ispartofseriesCinepoetics
dc.rightsopen access
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinemaen_US
dc.subject.classificationthema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTZ General studies and General knowledgeen_US
dc.subject.classificationthema EDItEUR::J Society and Social Sciencesen_US
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studiesen_US
dc.subject.other1968 film analysis happening
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
dc.subject.otherthema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTZ General studies and General knowledge
dc.subject.otherthema EDItEUR::J Society and Social Sciences
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
dc.titleFilmische Seitenblicke
dc.title.alternativeCinepoetische Exkursionen ins Kino von 1968
dc.typebook
oapen.identifier.doi10.1515/9783110618945
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isbn9783110618945
oapen.relation.isbn9783110613179
oapen.relation.isbn9783110618709
oapen.imprintDe Gruyter
oapen.pages436
oapen.place.publicationBerlin/Boston
dc.seriesnumber7
dc.abstractotherlanguageDid 1968 fail? The question is misstated. For the significance and consequences of ’68 cannot be captured in a coherent narrative. That year appears as the point of culmination of a set of highly heterogeneous cultural, social, and political phenomena. Cinema, with its classics and gems to be (re-)discovered, proves to be a kaleidoscope that lets us perceive the fractures and contradictions of ’68.


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