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dc.contributor.authorScheidel, Fabian David
dc.date.accessioned2022-11-22T04:05:10Z
dc.date.available2022-11-22T04:05:10Z
dc.date.issued2022
dc.date.submitted2022-11-21T16:36:11Z
dc.identifierONIX_20221121_9783110719444_132
dc.identifier2363-7978
dc.identifierhttps://library.oapen.org/handle/20.500.12657/59598
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/94104
dc.description.abstractThis study provides a fundamental new reading of numerous commonplace positions in Germanic medieval studies relating to the physical beauty of literary figures. It looks at both canonic and more marginal Middle High German poems ("Erec," "Parzival," "Welscher Gast" [The Romance Stranger]) as well as their Medieval Latin context (poetorhetorics) and their discursive matrix, which is based in theology.
dc.languageGerman
dc.relation.ispartofseriesLiteratur – Theorie – Geschichte
dc.rightsopen access
dc.subject.otherBeauty
dc.subject.othermedieval literature
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medieval
dc.titleSchönheitsdiskurse in der Literatur des Mittelalters
dc.title.alternativeDie Propädeutik des Fleisches zwischen ‚aisthesis‘ und Ästhetik
dc.typebook
oapen.identifier.doi10.1515/9783110719444
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isFundedBy80ce9517-a34f-41c2-a3bf-5aae3a07a971
oapen.relation.isbn9783110719444
oapen.relation.isbn9783110718409
oapen.relation.isbn9783110719468
oapen.imprintDe Gruyter
oapen.pages708
oapen.place.publicationBerlin/Boston
oapen.grant.number[...]
dc.relationisFundedBy80ce9517-a34f-41c2-a3bf-5aae3a07a971
dc.seriesnumber23
dc.abstractotherlanguageThis study provides a fundamental new reading of numerous commonplace positions in Germanic medieval studies relating to the physical beauty of literary figures. It looks at both canonic and more marginal Middle High German poems ("Erec," "Parzival," "Welscher Gast" [The Romance Stranger]) as well as their Medieval Latin context (poetorhetorics) and their discursive matrix, which is based in theology.


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Except where otherwise noted, this item's license is described as open access