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dc.contributor.editorHillebrandt, Claudia
dc.contributor.editorKlimek, Sonja
dc.contributor.editorMüller, Ralph
dc.contributor.editorZymner, Rüdiger
dc.date.accessioned2022-08-25T14:19:48Z
dc.date.available2022-08-25T14:19:48Z
dc.date.issued2019
dc.identifierONIX_20220825_9783110520521_5
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/91458
dc.languageGerman
dc.relation.ispartofseriesLyrikologie
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theoryen_US
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DC Poetryen_US
dc.subject.otherPoetry
dc.subject.otherpoetry theory
dc.titleGrundfragen der Lyrikologie 1
dc.title.alternativeLyrisches Ich, Textsubjekt, Sprecher?
dc.typebook
oapen.abstract.otherlanguageIn the German speaking world, questions concerning the voice or speaker of lyrical poems are often oversimplified through recourse to the disputed concept of “the lyrical I.” This volume addresses questions surrounding the expressive agent in lyric poems and thus contributes to the controversial debate about adequate forms for conceptualizing lyric poetry at the intersection between philological traditions and practices specific to lyric poetry.
oapen.identifier.doi10.1515/9783110520521
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isbn9783110520521
oapen.relation.isbn9783110496406
oapen.imprintDe Gruyter
oapen.series.numberBand 1
oapen.pages381
oapen.place.publicationBerlin/Boston


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