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dc.contributor.editorKunze, Sophia
dc.contributor.editorPosselt-Kuhli, Christina
dc.contributor.editorTheise, Antje
dc.date.accessioned2022-08-03T06:10:22Z
dc.date.available2022-08-03T06:10:22Z
dc.date.issued2020
dc.date.submitted2022-08-02T12:43:01Z
dc.identifierONIX_20220802_9783943423761_21
dc.identifierOCN: 1263773402
dc.identifierhttps://library.oapen.org/handle/20.500.12657/57735
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/90699
dc.description.abstractRarely is the collecting of prints in libraries looked at more closely, although this was still intensively cultivated in the 19th century, especially in Hamburg's active bourgeois culture. Once again, it becomes apparent that trade and artistic sensibility certainly went hand in hand in the Hanseatic city. Studying the copperplate engravings in the Hamburg State and University Library has brought to light a variety of traces that point to the provenances of the original owners and to the way the library dealt with them. They have been examined in detail and with dedicated research work by a group of art history students and presented in this book in a scientifically sound manner with new perspectives. In addition to the ramified history of the collection, the book also aims to draw attention to the works themselves, which are now digitally recorded and thus accessible. The publication combines both historical-critical library and collection history as well as an examination of modern instruments for making them available.
dc.languageGerman
dc.rightsopen access
dc.subject.classificationthema EDItEUR::A The Arts::AF The Arts: art forms::AFH Prints and printmakingen_US
dc.subject.other18th century
dc.subject.other19th century
dc.subject.otherCollection history
dc.subject.otherLibrary history
dc.subject.otherProvenance
dc.subject.otherPrint graphics
dc.subject.otherthema EDItEUR::A The Arts::AF The Arts: art forms::AFH Prints and printmaking
dc.titleKunstpflege in Bibliotheken – Kür oder Pflicht?
dc.title.alternativeWege zur Sichtbarmachung forschungsrelevanter Druckgrafik an der Staats- und Universitätsbibliothek Hamburg
dc.typebook
oapen.identifier.doi10.15460/HUP.203
oapen.relation.isPublishedBy819334dc-f985-437c-8c86-4cb478ab40dc
oapen.relation.isbn9783943423761
oapen.collectionAG Universitätsverlage
oapen.pages132
oapen.place.publicationHamburg
dc.abstractotherlanguageRarely is the collecting of prints in libraries looked at more closely, although this was still intensively cultivated in the 19th century, especially in Hamburg's active bourgeois culture. Once again, it becomes apparent that trade and artistic sensibility certainly went hand in hand in the Hanseatic city. Studying the copperplate engravings in the Hamburg State and University Library has brought to light a variety of traces that point to the provenances of the original owners and to the way the library dealt with them. They have been examined in detail and with dedicated research work by a group of art history students and presented in this book in a scientifically sound manner with new perspectives. In addition to the ramified history of the collection, the book also aims to draw attention to the works themselves, which are now digitally recorded and thus accessible. The publication combines both historical-critical library and collection history as well as an examination of modern instruments for making them available.


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