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dc.contributor.authorDavis, David Brion
dc.date.accessioned2022-07-15T15:21:15Z
dc.date.available2022-07-15T15:21:15Z
dc.date.issued2018
dc.identifierONIX_20220715_9781501726224_865
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/89118
dc.description.abstractHomicide has many social and psychological implications that vary from culture to culture and which change as people accept new ideas concerning guilt, responsibility, and the causes of crime. A study of attitudes toward homicide is therefore a method of examining social values in a specific setting. Homicide in American Fiction, 1798–1860 is the first book to contrast psychological assumptions of imaginative writers with certain social and intellectual currents in an attempt to integrate social attitudes toward such diverse subjects as human evil, moral responsibility, criminal insanity, social causes of crime, dueling, lynching, the "unwritten law" of a husband's revenge, and capital punishment. In addition to works of literary distinction by Cooper, Hawthorne, Irving, and Poe, among others, Davis considers a large body of cheap popular fiction generally ignored in previous studies of the literature of this period. This is an engrossing study of fiction as a reflection of and a commentary on social problems and as an influence shaping general beliefs and opinions.
dc.languageEnglish
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticismen_US
dc.subject.otherLiterature: history & criticism
dc.titleHomicide in American Fiction, 1798–1860
dc.title.alternativeA Study in Social Values
dc.typebook
oapen.identifier.doi10.1353/book.57991
oapen.relation.isPublishedBy05937e7b-c222-4680-9580-c09c5ce7a11e
oapen.relation.isbn9781501726224
oapen.pages364


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