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Louvre

Le Collège de France et le musée du Louvre

dc.contributor.editorDesclaux, Jessica
dc.date.accessioned2022-07-01T16:56:19Z
dc.date.available2022-07-01T16:56:19Z
dc.date.issued2020
dc.identifierONIX_20220701_9782722605596_123
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/87264
dc.languageFrench
dc.relation.ispartofseriesPassage des disciplines
dc.subject.classificationthema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of arten_US
dc.subject.classificationthema EDItEUR::A The Arts::AB The arts: general topics::ABC Conservation, restoration and care of artworksen_US
dc.subject.classificationthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of arten_US
dc.subject.classificationthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGC Exhibition catalogues and specific collectionsen_US
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: generalen_US
dc.subject.classificationthema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studiesen_US
dc.subject.classificationthema EDItEUR::N History and Archaeologyen_US
dc.subject.classificationthema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present dayen_US
dc.subject.otherhistory of art
dc.subject.otherCollège de France
dc.subject.otherhistory of research
dc.subject.otherhistory of high education
dc.subject.othermuseum
dc.subject.otherfine arts
dc.subject.otherLouvre museum
dc.subject.othereducational institutions
dc.subject.otherart school
dc.subject.otheresthetics
dc.subject.otherhigh education
dc.titleLouvre
dc.title.alternativeLe Collège de France et le musée du Louvre
dc.typebook
oapen.abstract.otherlanguageThe fourth volume of the “Passage des disciplines” collection looks at how the discipline of art history was established at the Collège de France by forging a special link with the Musée du Louvre. Georges Lafenestre, André Michel, Paul Vitry, and René Huyghe were curators in the Department of Paintings and Drawings and the Department of Medieval, Renaissance and Modern Sculptures, before holding the Chair of Aesthetics and Art History, created in 1878 and once renamed “History of French Art” (1920-1925), or the municipal chair, “Psychology of Visual Arts” (1951-1976), financed by the City of Paris. By electing several curators to its chairs in this way, does the Collège de France single itself out among the institutions at which aesthetics and art history are taught? What determines the recruitment of curators? To what extent does their museum experience weigh on their appointment? Once elected, what ties do they maintain with the Louvre? Do they integrate the museum’s debates on aesthetics or historical method into their teaching at the Collège de France? Such are some of the questions that the authors of this volume explore, drawing on the archives of various institutions. This volume ensues from a study day organised by Jessica Desclaux (Sorbonne Université-Musée du Louvre/Centre Dominique-Vivant Denon) on 4 April 2019, as part of the research programme “Passage des disciplines: global history of the Collège de France, 19th-20th century”. The programme focuses on the selection process of chairs and fields of study at the Collège de France, including those that were not admitted to it and which formed a “virtual college”, from the late 18th century to the 1960s. It is directed by Antoine Compagnon, with the collaboration of Céline Surprenant, and has received financial support from PSL (2016-2019) and the République des Savoirs.
oapen.identifier.doi10.4000/books.cdf.10192
oapen.relation.isPublishedBy1aaf812f-8953-49d7-becb-c2b3d34938a7
oapen.relation.isbn9782722605596
oapen.place.publicationParis


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