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dc.contributor.editorFourchard, Laurent
dc.date.accessioned2022-07-01T15:58:43Z
dc.date.available2022-07-01T15:58:43Z
dc.date.issued2003
dc.identifierONIX_20220701_9791092312577_903
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/85430
dc.description.abstractThis books takes into consideration the changes that have occurred within the visual art landscape in Nigeria during the 20th century. This historical change is the result of new cultural exchanges between Africa, Europe and America, exchanges that developed different artistic practices and promoted new patrons. In this framework, cities have played a fundamental role in the development of modern art, especially because of the presence of a local or international art market. All the chapters of this book are related to specific Southern Nigerian cities: some are places of ancient royal art patronage (bronze casting in Benin City), some are city market where various popular expression of art could have developed (calendar in Onitsha), a few are strictly university based (Nsukka) but most of them have welcome elements of artistic lineages scattered all over Nigeria (the Fákéye family for instance).
dc.languageEnglish
dc.relation.ispartofseriesAfricas: Languages, History and Arts
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studiesen_US
dc.subject.otherart galleries
dc.subject.otherLagos
dc.subject.otherNigerian ARt
dc.subject.otherSouthern Nigeria
dc.titleModern history of visual art in Southern Nigeria
dc.typebook
oapen.identifier.doi10.4000/books.ifra.3145
oapen.relation.isPublishedBy95d109b0-06da-45e5-ab27-53b34ab3b521
oapen.relation.isbn9791092312577
oapen.relation.isbn9789788025061
oapen.pagesv-83
oapen.place.publicationIbadan


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