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dc.contributor.authorFedi, Maria
dc.date.accessioned2022-06-02T04:37:24Z
dc.date.available2022-06-02T04:37:24Z
dc.date.issued2011
dc.date.submitted2022-05-31T10:17:55Z
dc.identifierONIX_20220531_9788866550525_242
dc.identifier2612-8020
dc.identifierhttps://library.oapen.org/handle/20.500.12657/54958
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/83753
dc.description.abstractStarting from a vast documentary corpus, the result of in-depth archival research, the volume offers an original perspective on the main forms of entertainment in Pistoia between the seventeenth and eighteenth centuries, focusing in particular on the theatrical activity of the most important cultural institution in the city, the Accademia dei Risvegliati. The survey also examines realities of secondary importance that contributed to enriching the urban cultural fabric, such as the minor stages, the sacred theatre and private entertainment. A broader overview also allows the readers to frame the scope of festive celebrations and occasions for public entertainment, presented through significant exempla.
dc.languageItalian
dc.relation.ispartofseriesPremio Tesi di Dottorato
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::C Language::CF linguistics::CFF Historical & comparative linguistics
dc.subject.classificationbic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism
dc.titleTuo lumine. L'accademia dei Risvegliati e lo spettacolo a Pistoia tra Sei e Settecento
dc.typebook
oapen.identifier.doi10.36253/978-88-6655-052-5
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788866550525
oapen.relation.isbn9788866550464
oapen.relation.isbn9788892736405
oapen.pages450
oapen.place.publicationFirenze
dc.seriesnumber19
dc.abstractotherlanguageStarting from a vast documentary corpus, the result of in-depth archival research, the volume offers an original perspective on the main forms of entertainment in Pistoia between the seventeenth and eighteenth centuries, focusing in particular on the theatrical activity of the most important cultural institution in the city, the Accademia dei Risvegliati. The survey also examines realities of secondary importance that contributed to enriching the urban cultural fabric, such as the minor stages, the sacred theatre and private entertainment. A broader overview also allows the readers to frame the scope of festive celebrations and occasions for public entertainment, presented through significant exempla.


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