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dc.contributor.editorPellegrini, Ernestina
dc.contributor.editorFastelli, Federico
dc.contributor.editorSalvadori, Diego
dc.date.accessioned2022-06-02T04:35:17Z
dc.date.available2022-06-02T04:35:17Z
dc.date.issued2021
dc.date.submitted2022-05-31T10:37:47Z
dc.identifierONIX_20220531_9788855183383_982
dc.identifierOCN: 1346811425
dc.identifier2420-8361
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55698
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/83638
dc.description.abstractThis volume brings together a selection of essays on Claudio Magris’ work, aiming to enrich critical debate with a specific focus on interdisciplinary dimension and continuous dialogue with the main European literary traditions. The outcome is an overall study on Magris’ narrative, essayistic and theatrical production, trying to fix his plural and prismatic identity: from the narration of places to an unavoidable ideological tension; from philosophical alphabets to the weight of History; from Myth’s remediation to the abroad reception; from hypotext filigree to real case studies. According to a diachronic perspective, they focus attention on Magris’ works, such as Microcosmi, Alla cieca, Non luogo a procedere and Tempo curvo a Krems.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.rightsopen access
dc.subject.otherClaudio Magris
dc.subject.otherComparative Literature
dc.subject.otherGerman Literature
dc.subject.otherMittleuropean culture
dc.subject.otherEssayism
dc.titleFirenze per Claudio Magris
dc.typebook
oapen.identifier.doi10.36253/978-88-5518-338-3
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855183383
oapen.relation.isbn9788855183390
oapen.pages398
oapen.place.publicationFlorence
dc.seriesnumber59
dc.abstractotherlanguageThis volume brings together a selection of essays on Claudio Magris’ work, aiming to enrich critical debate with a specific focus on interdisciplinary dimension and continuous dialogue with the main European literary traditions. The outcome is an overall study on Magris’ narrative, essayistic and theatrical production, trying to fix his plural and prismatic identity: from the narration of places to an unavoidable ideological tension; from philosophical alphabets to the weight of History; from Myth’s remediation to the abroad reception; from hypotext filigree to real case studies. According to a diachronic perspective, they focus attention on Magris’ works, such as Microcosmi, Alla cieca, Non luogo a procedere and Tempo curvo a Krems.


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