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Il graphic novel. Un crossover per la modernità

dc.contributor.editorBACCHERETI, ELISABETTA
dc.contributor.editorFastelli, Federico
dc.contributor.editorSalvadori, Diego
dc.date.accessioned2022-06-02T04:26:19Z
dc.date.available2022-06-02T04:26:19Z
dc.date.issued2020
dc.date.submitted2022-05-31T10:34:29Z
dc.identifierONIX_20220531_9788855182218_877
dc.identifierOCN: 1325887393
dc.identifier2420-8361
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55593
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/83220
dc.description.abstractThe graphic novel is one of the most suggestive and successful semiotic phenomena. This collection of essays focuses on the interrelations of image and text, and how they are substantiated and thematized by graphic novels. The volume gathers together twelve essays and follows a twofold structure: a historical and theoretical one, providing different and complementary approaches to the topic, from neurocognitive narratology to Digital Humanities; in the second part of the volume several case studies are discussed, based on key examples as shown by the following authors and their work: from Vanna Vinci and Lorenza Natarella, to Gipi, Zerocalcare and Manuel Fior; from Dino Buzzati to Hugo Pratt and Pazienza; from Pablo Echaurren to the Homeric epics’ comics remediation.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.rightsopen access
dc.titleIl graphic novel. Un crossover per la modernità
dc.typebook
oapen.identifier.doi10.36253/978-88-5518-221-8
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855182218
oapen.relation.isbn9788855182225
oapen.pages262
oapen.place.publicationFlorence
dc.seriesnumber56
dc.abstractotherlanguageThe graphic novel is one of the most suggestive and successful semiotic phenomena. This collection of essays focuses on the interrelations of image and text, and how they are substantiated and thematized by graphic novels. The volume gathers together twelve essays and follows a twofold structure: a historical and theoretical one, providing different and complementary approaches to the topic, from neurocognitive narratology to Digital Humanities; in the second part of the volume several case studies are discussed, based on key examples as shown by the following authors and their work: from Vanna Vinci and Lorenza Natarella, to Gipi, Zerocalcare and Manuel Fior; from Dino Buzzati to Hugo Pratt and Pazienza; from Pablo Echaurren to the Homeric epics’ comics remediation.


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