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dc.contributor.authorAcciaioli, Stefania
dc.date.accessioned2022-06-02T04:22:52Z
dc.date.available2022-06-02T04:22:52Z
dc.date.issued2012
dc.date.submitted2022-05-31T10:19:39Z
dc.identifierONIX_20220531_9788866552253_312
dc.identifier2612-8020
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55028
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/83046
dc.description.abstractLiterary trompe-l'oeil intends to emancipate the enigmatic and distinctive figure of Hauff from his long and unjust marginalization resulting from a now outdated current of criticism, to offer a new interpretation of his Märchen for a general rereading of this modern literary caricaturist's works. On approaching his texts, one cannot but notice how they are imbued with continual and insistent, bewitching, caustic and alienating allusions, just like the Mona Lisa's smile. With a constant critical scepticism and a subtle illusionist skill, this demythologized 'budding Satan' looks at the present situation through the 'diabolic lenses' of irony, making his works a sort of literary Befreiungskrieg, in which he lays claim to a heterotopic space of free fantastic-humorist expression, along the undulating route leading from Sterne to Heine via Jean Paul.
dc.languageItalian
dc.relation.ispartofseriesPremio Tesi di Dottorato
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::C Language::CF linguistics
dc.subject.classificationbic Book Industry Communication::C Language::CF linguistics::CFP Translation & interpretation
dc.subject.classificationbic Book Industry Communication::D Literature & literary studies
dc.subject.classificationbic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism
dc.titleIl "trompe-l'œil" letterario, ovvero il sorriso ironico nell'opera di Wilhelm Hauff
dc.typebook
oapen.identifier.doi10.36253/978-88-6655-225-3
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788866552253
oapen.relation.isbn9788866552246
oapen.relation.isbn9788892735590
oapen.pages278
oapen.place.publicationFirenze
dc.seriesnumber24
dc.abstractotherlanguageLiterary trompe-l'oeil intends to emancipate the enigmatic and distinctive figure of Hauff from his long and unjust marginalization resulting from a now outdated current of criticism, to offer a new interpretation of his Märchen for a general rereading of this modern literary caricaturist's works. On approaching his texts, one cannot but notice how they are imbued with continual and insistent, bewitching, caustic and alienating allusions, just like the Mona Lisa's smile. With a constant critical scepticism and a subtle illusionist skill, this demythologized 'budding Satan' looks at the present situation through the 'diabolic lenses' of irony, making his works a sort of literary Befreiungskrieg, in which he lays claim to a heterotopic space of free fantastic-humorist expression, along the undulating route leading from Sterne to Heine via Jean Paul.


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