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dc.contributor.authorGalletti, Lorenzo
dc.date.accessioned2022-06-02T04:18:15Z
dc.date.available2022-06-02T04:18:15Z
dc.date.issued2016
dc.date.submitted2022-05-31T10:26:51Z
dc.identifierONIX_20220531_9788864533612_613
dc.identifier2705-0297
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55329
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/82823
dc.description.abstractThe San Samuele theatre company from Venice constitutes a perfect example of the extraordinary vitality of the early-eighteenth-century troupes, before the success of Carlo Goldoni’s dramaturgy. Reconstructing the chronology of the training activity led by the theatre company manager Giuseppe Imer makes it possible to observe the extraordinary versatility of the actors from the Commedia dell’Arte, and the breadth of a repertoire which, between 1726 and 1749, spaced from dramas to musical interludes, passing through the “canovacci” of the commedia all’improvviso and tragedies. Thanks to unpublished documents and to a critical analysis of the repertoires, the author appoints the actors as the main protagonists of the spectacular Venetian scene, and offers important updates on the migrations of troupes in the second quarter of the 18th century.
dc.languageItalian
dc.relation.ispartofseriesPremio Ricerca «Città di Firenze»
dc.rightsopen access
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studiesen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATQ Danceen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATX Other performing artsen_US
dc.titleLo spettacolo senza riforma
dc.title.alternativeLa compagnia del San Samuele di Venezia (1726-1749)
dc.typebook
oapen.identifier.doi10.36253/978-88-6453-361-2
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788864533612
oapen.relation.isbn9788864533605
oapen.relation.isbn9788892732643
oapen.pages296
oapen.place.publicationFlorence
dc.seriesnumber50
dc.abstractotherlanguageThe San Samuele theatre company from Venice constitutes a perfect example of the extraordinary vitality of the early-eighteenth-century troupes, before the success of Carlo Goldoni’s dramaturgy. Reconstructing the chronology of the training activity led by the theatre company manager Giuseppe Imer makes it possible to observe the extraordinary versatility of the actors from the Commedia dell’Arte, and the breadth of a repertoire which, between 1726 and 1749, spaced from dramas to musical interludes, passing through the “canovacci” of the commedia all’improvviso and tragedies. Thanks to unpublished documents and to a critical analysis of the repertoires, the author appoints the actors as the main protagonists of the spectacular Venetian scene, and offers important updates on the migrations of troupes in the second quarter of the 18th century.


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