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dc.contributor.authorVALDINOCI, FRANCESCA
dc.date.accessioned2022-06-02T04:17:24Z
dc.date.available2022-06-02T04:17:24Z
dc.date.issued2019
dc.date.submitted2022-05-31T10:32:32Z
dc.identifierONIX_20220531_9788864539775_804
dc.identifier2420-8361
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55520
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/82785
dc.description.abstractScarti, tracce e frammenti: controarchivio e memoria dell’umano. Literature and art, increasingly interested in the dark side of production, now appear as a reservoir of fragments and waste of all sorts. The attraction towards scraps, conceived as anti-goods, testifies the existence of a parallel world where the myths of growth and productivity show their tragic face. Through different textualities and media, waste emerges as a testimony of a subversive marginality from which unexpected perspectives, which can undermine the established order, arise. The volume, using the image of waste, offers a hidden or marginalized counter history, which however 'returns' overbearingly in order to give contemporaneity its shapeless substance.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::C Language::CF linguistics::CFF Historical & comparative linguistics
dc.subject.classificationbic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism
dc.titleScarti, tracce e frammenti: controarchivio e memoria dell’umano
dc.typebook
oapen.identifier.doi10.36253/978-88-6453-977-5
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788864539775
oapen.relation.isbn9788855186759
oapen.pages220
oapen.place.publicationFlorence
dc.seriesnumber52
dc.abstractotherlanguageScarti, tracce e frammenti: controarchivio e memoria dell’umano. Literature and art, increasingly interested in the dark side of production, now appear as a reservoir of fragments and waste of all sorts. The attraction towards scraps, conceived as anti-goods, testifies the existence of a parallel world where the myths of growth and productivity show their tragic face. Through different textualities and media, waste emerges as a testimony of a subversive marginality from which unexpected perspectives, which can undermine the established order, arise. The volume, using the image of waste, offers a hidden or marginalized counter history, which however 'returns' overbearingly in order to give contemporaneity its shapeless substance.


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