Scarti, tracce e frammenti: controarchivio e memoria dell’umano
| dc.contributor.author | VALDINOCI, FRANCESCA | |
| dc.date.accessioned | 2022-06-02T04:17:24Z | |
| dc.date.available | 2022-06-02T04:17:24Z | |
| dc.date.issued | 2019 | |
| dc.date.submitted | 2022-05-31T10:32:32Z | |
| dc.identifier | ONIX_20220531_9788864539775_804 | |
| dc.identifier | OCN: 1229763934 | |
| dc.identifier | 2420-8361 | |
| dc.identifier | https://library.oapen.org/handle/20.500.12657/55520 | |
| dc.identifier.uri | https://directory.doabooks.org/handle/20.500.12854/82785 | |
| dc.description.abstract | Scarti, tracce e frammenti: controarchivio e memoria dell’umano. Literature and art, increasingly interested in the dark side of production, now appear as a reservoir of fragments and waste of all sorts. The attraction towards scraps, conceived as anti-goods, testifies the existence of a parallel world where the myths of growth and productivity show their tragic face. Through different textualities and media, waste emerges as a testimony of a subversive marginality from which unexpected perspectives, which can undermine the established order, arise. The volume, using the image of waste, offers a hidden or marginalized counter history, which however 'returns' overbearingly in order to give contemporaneity its shapeless substance. | |
| dc.language | Italian | |
| dc.relation.ispartofseries | Biblioteca di Studi di Filologia Moderna | |
| dc.rights | open access | |
| dc.title | Scarti, tracce e frammenti: controarchivio e memoria dell’umano | |
| dc.type | book | |
| oapen.identifier.doi | 10.36253/978-88-6453-977-5 | |
| oapen.relation.isPublishedBy | 2ec4474d-93b1-4cfa-b313-9c6019b51b1a | |
| oapen.relation.isbn | 9788864539775 | |
| oapen.relation.isbn | 9788855186759 | |
| oapen.pages | 220 | |
| oapen.place.publication | Florence | |
| dc.seriesnumber | 52 | |
| dc.abstractotherlanguage | Scarti, tracce e frammenti: controarchivio e memoria dell’umano. Literature and art, increasingly interested in the dark side of production, now appear as a reservoir of fragments and waste of all sorts. The attraction towards scraps, conceived as anti-goods, testifies the existence of a parallel world where the myths of growth and productivity show their tragic face. Through different textualities and media, waste emerges as a testimony of a subversive marginality from which unexpected perspectives, which can undermine the established order, arise. The volume, using the image of waste, offers a hidden or marginalized counter history, which however 'returns' overbearingly in order to give contemporaneity its shapeless substance. |
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