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dc.contributor.editorTuri, Nicola
dc.date.accessioned2022-06-02T04:04:41Z
dc.date.available2022-06-02T04:04:41Z
dc.date.issued2016
dc.date.submitted2022-05-31T10:25:18Z
dc.identifierONIX_20220531_9788866559931_558
dc.identifier2704-565X
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55274
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/82141
dc.description.abstractWhat does the growing interest of literary criticism towards the representation of nature and its ethical implications tell us? In which folds of narrative, poetic or cinematographic discourse do the manifestations of a continuously renewed sensitivity for the contradictions of progress, for the precarious coexistence between human, animal and plant agents lie? And what kind of relationships can there be between the semantics of places and landscapes, expressed in a fictional world, and eco-criticism? Sixteen essays suspended between 'text' analysis and theory of criticism are solicited and collected by Nicola Turi, in an attempt to answer these and other questions affecting the function and orientations of contemporary criticism, its ability to give back the forms of artistic language, and at the same time its recurring temptation to confront, as Calvino's Bradamante would say, with the «life behind it that pushes and disarranges all the leaves of the book».
dc.languageItalian
dc.relation.ispartofseriesModerna/Comparata
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism
dc.titleEcosistemi letterari
dc.title.alternativeLuoghi e paesaggi nella finzione novecentesca
dc.typebook
oapen.identifier.doi10.36253/978-88-6655-993-1
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788866559931
oapen.relation.isbn9788855189606
oapen.relation.isbn9788866559924
oapen.relation.isbn9788866559948
oapen.pages324
oapen.place.publicationFlorence
dc.seriesnumber13
dc.abstractotherlanguageWhat does the growing interest of literary criticism towards the representation of nature and its ethical implications tell us? In which folds of narrative, poetic or cinematographic discourse do the manifestations of a continuously renewed sensitivity for the contradictions of progress, for the precarious coexistence between human, animal and plant agents lie? And what kind of relationships can there be between the semantics of places and landscapes, expressed in a fictional world, and eco-criticism? Sixteen essays suspended between 'text' analysis and theory of criticism are solicited and collected by Nicola Turi, in an attempt to answer these and other questions affecting the function and orientations of contemporary criticism, its ability to give back the forms of artistic language, and at the same time its recurring temptation to confront, as Calvino's Bradamante would say, with the «life behind it that pushes and disarranges all the leaves of the book».


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