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dc.contributor.authorINNOCENTI, BARBARA
dc.date.accessioned2022-06-02T04:04:07Z
dc.date.available2022-06-02T04:04:07Z
dc.date.issued2018
dc.date.submitted2022-05-31T10:29:55Z
dc.identifierONIX_20220531_9788864538679_719
dc.identifierOCN: 1261772587
dc.identifier2420-8361
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55435
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/82112
dc.description.abstractIn Paris, the Little Pantheon is the theatre on rue de Chartres which, together with other showrooms, competed with the great Pantheon on rue Soufflot between the 18th and 19th century. The Little Pantheon introduced the idea of a Big Man embracing the excluded personalities from the official Pantheon, and those categories, such as the actors, which had been hitherto marginalised. This volume takes into consideration a new theatrical genre bringing on stage the public and private lives of Great Men of Letters, Philosophy and the Arts, be them real or imaginary. This book is not only original for its analysis of the revolutionary mentality that shapes a new concept of Fame, but also functions as a tool to account for the extent of the phenomenon from a chronological and thematic perspective thanks to the Catalogues.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.rightsopen access
dc.titleIl piccolo Pantheon
dc.title.alternativeI grandi autori in scena sul teatro francese tra Settecento e Ottocento
dc.typebook
oapen.identifier.doi10.36253/978-88-6453-867-9
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788864538679
oapen.relation.isbn9788892730892
oapen.pages619
oapen.place.publicationFlorence
dc.seriesnumber46
dc.abstractotherlanguageIn Paris, the Little Pantheon is the theatre on rue de Chartres which, together with other showrooms, competed with the great Pantheon on rue Soufflot between the 18th and 19th century. The Little Pantheon introduced the idea of a Big Man embracing the excluded personalities from the official Pantheon, and those categories, such as the actors, which had been hitherto marginalised. This volume takes into consideration a new theatrical genre bringing on stage the public and private lives of Great Men of Letters, Philosophy and the Arts, be them real or imaginary. This book is not only original for its analysis of the revolutionary mentality that shapes a new concept of Fame, but also functions as a tool to account for the extent of the phenomenon from a chronological and thematic perspective thanks to the Catalogues.


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