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dc.contributor.editorCONGREGATI, SARA
dc.date.accessioned2022-06-02T04:03:07Z
dc.date.available2022-06-02T04:03:07Z
dc.date.issued2020
dc.date.submitted2022-05-31T10:35:10Z
dc.identifierONIX_20220531_9788855181297_899
dc.identifierOCN: 1317713448
dc.identifier2420-8361
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55615
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/82057
dc.description.abstractThe unpublished translation of Götterlehre (1791) by K.Ph. Moritz presents the mythopoietic process of the Ancients by means of the tale of the origins of the numinous and of its ekfrastic structuring into the great mythical representations of the Greek-Roman world. In the background of Moritz’s visit to Italy (1786-1788) and of his fruitful friendship with Goethe, the introductory essay illustrates the theoretical premises of the specific aesthetic itinerary covered by a work of classical mythology conceveid as Dichtung and codified by a very original and universal Sprache der Phantasie, emblematic figural language that refers to the iconic character of the text with the rich repertoire of lithographies based on drawings by Carstens, inspired by ancient cameos and gems of Lippert’s Dactyliotheca and the Stosch collection.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.rightsopen access
dc.subject.otherLabyrinth
dc.subject.otherLanguage of Fantasy
dc.subject.otherMetamorphosis
dc.subject.otherMyth
dc.titleLa Götterlehre di Karl Philipp Moritz. Nell’officina del linguaggio mitopoietico degli antichi
dc.typebook
oapen.identifier.doi10.36253/978-88-5518-129-7
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855181297
oapen.relation.isbn9788855181303
oapen.pages308
oapen.place.publicationFlorence
dc.seriesnumber53
dc.abstractotherlanguageThe unpublished translation of Götterlehre (1791) by K.Ph. Moritz presents the mythopoietic process of the Ancients by means of the tale of the origins of the numinous and of its ekfrastic structuring into the great mythical representations of the Greek-Roman world. In the background of Moritz’s visit to Italy (1786-1788) and of his fruitful friendship with Goethe, the introductory essay illustrates the theoretical premises of the specific aesthetic itinerary covered by a work of classical mythology conceveid as Dichtung and codified by a very original and universal Sprache der Phantasie, emblematic figural language that refers to the iconic character of the text with the rich repertoire of lithographies based on drawings by Carstens, inspired by ancient cameos and gems of Lippert’s Dactyliotheca and the Stosch collection.


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