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dc.contributor.authorGanser, Elisa
dc.date.accessioned2022-04-08T04:04:19Z
dc.date.available2022-04-08T04:04:19Z
dc.date.issued2022
dc.date.submitted2022-04-07T09:15:22Z
dc.identifierONIX_20220407_9789004449817_41
dc.identifierOCN: 1263250355
dc.identifierhttps://library.oapen.org/handle/20.500.12657/53826
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/80741
dc.description.abstractIn Theatre and Its Other, Elisa Ganser revisits a telling debate on the intertwined natures of dance and dramatic acting; preserved in Abhinavagupta’s eleventh-century commentary on the Nāṭyaśāstra, it reflects complex historical shifts in aesthetic theory and performance practice. ; Readership: All those interested in the history of Indian dance and theatre and in Abhinavagupta’s aesthetics, including scholars and students of Indology, performance, dance, and theatre studies, as well as performers.
dc.languageEnglish
dc.relation.ispartofseriesGonda Indological Studies
dc.rightsopen access
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATQ Danceen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATX Other performing artsen_US
dc.subject.otherThe arts
dc.subject.otherDance & other performing arts
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATQ Dance
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATX Other performing arts
dc.titleTheatre and Its Other
dc.title.alternativeAbhinavagupta on Dance and Dramatic Acting
dc.typebook
oapen.identifier.doi10.1163/9789004467057
oapen.relation.isPublishedBy33fecb33-e7c4-4fc8-96b0-7ba2fccafba9
oapen.relation.isFundedBySchweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung
oapen.relation.isbn9789004449817
oapen.relation.isbn9789004467057
oapen.collectionSwiss National Science Foundation (SNF)
oapen.imprintBRILL
oapen.pages428
dc.relationisFundedBy07f61e34-5b96-49f0-9860-c87dd8228f26
dc.seriesnumber23
dc.grantprojectTheatre and Its Other: Abhinavagupta on Dance and Dramatic Acting


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