Show simple item record

dc.contributor.authorBradley, Catherine A.
dc.date.accessioned2022-03-29T04:01:43Z
dc.date.available2022-03-29T04:01:43Z
dc.date.issued2022
dc.date.submitted2022-03-28T15:34:14Z
dc.identifierONIX_20220328_9781000580631_43
dc.identifierhttps://library.oapen.org/handle/20.500.12657/53662
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/79802
dc.description.abstractQuestions of authorship are central to the late thirteenth-century motet repertoire represented by the seventh section or fascicle of the Montpellier Codex (Montpellier, Bibliothèque interuniversitaire, Section de médecine, H. 196, hereafter Mo). Mo does not explicitly attribute any of its compositions, but theoretical sources name Petrus de Cruce as the composer of the two motets that open fascicle 7, and three later motets in this fascicle are elsewhere ascribed to Adam de la Halle. This monograph reveals a musical and textual quotation of Adam’s Aucun se sont loe incipit at the outset of Petrus’s Aucun ont trouve triplum, and it explores various invocations of Adam and Petrus – their works and techniques – within further anonymous compositions. Authorship is additionally considered from the perspective of two new types of motets especially prevalent in fascicle 7: motets that name musicians, as well as those based on vernacular song or instrumental melodies, some of which are identified by the names of their creators. This book offers new insights into the musical, poetic, and curatorial reception of thirteenth-century composers’ works in their own time. It uncovers, beneath the surface of an anonymous motet book, unsuspected interactions between authors and traces of compositional identities.
dc.languageEnglish
dc.relation.ispartofseriesRoyal Musical Association Monographs
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::A The arts::AV Music
dc.subject.classificationbic Book Industry Communication::A The arts::AV Music::AVG Music: styles & genres::AVGD Sacred & religious music
dc.subject.otherHistory of music
dc.subject.otherSacred and religious music
dc.subject.otherMusic
dc.titleAuthorship and Identity in Late Thirteenth-Century Motets
dc.typebook
oapen.identifier.doi10.4324/9781003259282
oapen.relation.isPublishedByfa69b019-f4ee-4979-8d42-c6b6c476b5f0
oapen.relation.isbn9781000580631
oapen.relation.isbn9781032194578
oapen.relation.isbn9781003259282
oapen.relation.isbn9781032194608
oapen.imprintRoutledge
oapen.pages154


Files in this item

FilesSizeFormatView

There are no files associated with this item.

This item appears in the following Collection(s)

Show simple item record

open access
Except where otherwise noted, this item's license is described as open access