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dc.contributor.editorRossi, Michela
dc.contributor.editorRusso, Michele
dc.date.accessioned2022-03-29T04:01:37Z
dc.date.available2022-03-29T04:01:37Z
dc.date.issued2021
dc.date.submitted2022-03-28T15:32:07Z
dc.identifierONIX_20220328_9788835130062_23
dc.identifierOCN: 1313548992
dc.identifierhttps://library.oapen.org/handle/20.500.12657/53642
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/79800
dc.description.abstractBramante’s skill in controlling the creation of a seamlessly conceived space shows how architecture can exploit its representative capacity of internal perspectives, considered architecture integration. The key adopted to reach this result is the “architectura picta” of the built space. It adopts built space combined with small apparatuses to conceal the critical points in which the continuity between real and virtual space is resolved. The multiplication of centers amplifies the effectiveness of the perspective, making it convincing from several points of view, even for a moving observer. The implicit perceptual effect overcomes the geometric correctness, which was neglected to enhance its effectiveness as a tool for creating a global and augmented art “ante litteram”. The research published in this volume documents, through a small number of selected cases studies, the unsuspected development in Lombardy in applying perspective decoration to architecture, understood in the broadest sense as the art of constructing artificial space. This latter consists of controlling the instruments of representation to improve perceptive involvement and visual communication. It underlines the continuity of Milanese perspective with the immersive spaces of augmented reality offered today by digital technology.
dc.languageItalian
dc.relation.ispartofseriesForme del disegno
dc.rightsopen access
dc.subject.classificationthema EDItEUR::A The Arts::AM Architecture::AMA Theory of architectureen_US
dc.subject.otherPerspective
dc.subject.otherArchitectural Perspective
dc.subject.otherArchitectural Survey
dc.subject.otherVirtual spaces
dc.subject.otherSpatial design
dc.subject.otherPerception and spatial communication
dc.subject.otherthema EDItEUR::A The Arts::AM Architecture::AMA Theory of architecture
dc.titleL'eredità di Bramante
dc.title.alternativeTra spazio virtuale e proto-design
dc.typebook
oapen.relation.isPublishedBy3b1e4403-b637-4268-a952-2280e4500b8a
oapen.relation.isbn9788835130062
oapen.pages232
oapen.place.publicationMilan
dc.abstractotherlanguageBramante’s skill in controlling the creation of a seamlessly conceived space shows how architecture can exploit its representative capacity of internal perspectives, considered architecture integration. The key adopted to reach this result is the “architectura picta” of the built space. It adopts built space combined with small apparatuses to conceal the critical points in which the continuity between real and virtual space is resolved. The multiplication of centers amplifies the effectiveness of the perspective, making it convincing from several points of view, even for a moving observer. The implicit perceptual effect overcomes the geometric correctness, which was neglected to enhance its effectiveness as a tool for creating a global and augmented art “ante litteram”. The research published in this volume documents, through a small number of selected cases studies, the unsuspected development in Lombardy in applying perspective decoration to architecture, understood in the broadest sense as the art of constructing artificial space. This latter consists of controlling the instruments of representation to improve perceptive involvement and visual communication. It underlines the continuity of Milanese perspective with the immersive spaces of augmented reality offered today by digital technology.


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