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dc.contributor.authorSchlitte, Sune Erik
dc.date.accessioned2022-01-10T04:01:23Z
dc.date.available2022-01-10T04:01:23Z
dc.date.issued2021
dc.date.submitted2022-01-09T04:30:39Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/52221
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/75232
dc.description.abstractThe present paper analyzes the emergence of the modern artistic field as an indicator for the formation of the modern state. The work traces this development by looking at various fields that build on each other both thematically and chronologically. London, as the center of the British Empire, and Berlin, as the emerging metropolis of Prussia, represent two ideal areas for comparison. On the basis of seven selected formations of practice - the art academies, the artist's journey, the exhibition system, art criticism, private art collections, the emergence of the modern art museum, and the funeral ceremonies of famous artists - a comparative cultural history of the emergence of the figure of the artist and the artistic field is sketched.
dc.languageGerman
dc.rightsopen access
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH Historyen_US
dc.subject.othermodern artistic field
dc.subject.otherindicator
dc.subject.otherformation
dc.subject.othermodern state
dc.titleKunst als soziale Praxis
dc.title.alternativeZur Formierung des künstlerischen Feldes in London und Berlin (1750–1840)
dc.typebook
dc.typebook
oapen.identifier.doi10.17875/gup2021-1587
oapen.relation.isPublishedByaf9011e0-03b9-4a5c-9ae6-b9da4898d1b2
oapen.relation.isbn978-3-86395-509-0


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