Publications
Now showing items 1-16 of 16
Die Politik des Kritischen Komponierens
(2024)
Neue Musik konfrontiert uns mit ungewohnten Klängen und zwingt uns so, unser Verhältnis zur Welt zu hinterfragen. Sie rüttelt auf und ist somit immer auch politisch, so die gängige These. Am Beispiel von Helmut Lachenmann, ...
The Social Organization of Arts
(2025)
In recent decades, social and economic changes have brought about a growing awareness of the role of art and culture in society. As a result, scholars have turned their attention to a sociological view of arts, developing ...
The Social Organization of Arts
(2025)
In recent decades, social and economic changes have brought about a growing awareness of the role of art and culture in society. As a result, scholars have turned their attention to a sociological view of arts, developing ...
Populismus kritisieren
(2024)
Rechtspopulistische Bewegungen und Diskurse greifen auf neue, ästhetisierte Politikstile und bis dato links konnotierte, künstlerisch erprobte Provokationsformen zurück. Zudem besetzen sie Geschlecht, Familie und Sexualität ...
Musik und Suizidalität
(2025)
Suizidalität ist ein verbreitetes Sujet unzähliger Lieder, Opernarien und Instrumentalstücke – so etwa im berühmt-berüchtigten Suicide Song »Gloomy Sunday«. Aktuell wird in fachlichen und populärwissenschaftlichen Debatten ...
Travelling Gestures – Elfriede Jelineks Theater der (Tragödien-)Durchquerung
(2023)
Silke Felber describes Jelinek's theater of (tragedy) traversal for the first time at the intersection of theater, literary, and cultural studies. In the form of a richly detailed study, this foundational work reveals ...
'Universum rei harmonicae concentum absolvunt'
(2024)
The volume deals with various topics related to keyboard music in the sixteenth century. These include aesthetic ideas associated with keyboard playing, the spread of the harpsichord in the sixteenth century, keyboard ...
Music and Democracy
(2021)
Music and Democracy explores music as a resource for societal transformation processes. This book provides recent insights into how individuals and groups used and still use music to achieve social, cultural, and political ...
Turning Social
(2025)
How can diverse musical interactions be productively used to promote inter- and transcultural communication, support human thriving and flourishing, empower marginalised social groups, or make society as a whole more ...
Facing Drag
(2025)
»Facing Drag« brings together international experts from cultural studies – including history, media, theatre, dance, and performance studies – to explore how gender, race, and ethnicity are impersonated across time and ...
Dirty Dragging
(2025)
Dirty Dragging ist dem unberechenbaren, nomadischen Mitschleppen gewidmet und reformuliert queertheoretische Fragen aus transozeanischer Perspektive. Das Buch beschäftigt sich mit der Ambivalenz ›dreckiger‹ Auftrittsformen ...
Music and Motion – Interweaving Artistic Practice and Theory in Dance and Beyond
(2026)
How are music/sound and dance/movement interwoven in artistic processes? What kinds of models can be identified when studying the relations between them, and which aesthetic intentions correspond to them? Based on these ...
Xenakis – Back to the Roots
(2024)
The electroacoustic works of the Greek-French composer Iannis Xenakis (1922-2001) captivate with their radical ideas, sounds and compositional models. They were often conceived as multimedia works for specific locations ...
The Flavor of Thinking
(2026)
The relation between art and philosophy is highly precarious. To explore this complex connection, the contributors to this volume have structured their texts around key questions such as: What image of thought emerges when ...
The Flavor of Thinking
(2026)
The relation between art and philosophy is highly precarious. To explore this complex connection, the contributors to this volume have structured their texts around key questions such as: What image of thought emerges when ...
Dirty Dragging
(2026)
In Dirty Dragging , Evelyn Annuß reformulates queer theorizations of drag, exploring the ambivalence of transgressive performances under apartheid, Nazism, and Jim Crow through a transoceanic lens. Taking up the ambivalence ...