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dc.contributor.editorRein, Katharina
dc.date.accessioned2021-11-20T04:01:37Z
dc.date.available2021-11-20T04:01:37Z
dc.date.issued2021
dc.date.submitted2021-11-19T10:38:57Z
dc.identifierOCN: 1268543454
dc.identifierhttps://library.oapen.org/handle/20.500.12657/51545
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/74465
dc.description.abstract"This volume explores illusionism as a much larger phenomenon than optical illusion, magic shows, or special effects, as a vital part of how we perceive, process, and shape the world we live in. Considering different cultural practices characterised by illusionism, this book suggests a new approach to illusion via media theory. Each of the chapters analyses a specific kind of illusionistic practice and the concept of illusionism it entails in a given context, including philosophy, perception and cognitive theory, performance magic, occultism, optics, physiology, early cinema, cartomancy, spiritualism, architecture, shamanic rituals, and theoretical physics, to show the diversity of shapes that illusionism and illusions can take. The book provides detailed analyses of illusions within performance and ritual magic, philosophy, art history and psychology as well as a first approach to the study of illusions outside of these established fields. It aims to find ways of identifying and analysing a wider range of illusions in the humanities. This multidisciplinary and comprehensive volume will appeal to scholars and students with an interest in media and culture, theatre and performance, philosophy, sociology, politics and religion."
dc.languageEnglish
dc.rightsopen access
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinemaen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATJ Televisionen_US
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH Historyen_US
dc.subject.classificationthema EDItEUR::J Society and Social Sciencesen_US
dc.subject.otheracoustics, aesthetics, cards, appearance, cinema, cultural, cultures, deception, deceptive, entertainment, epistemology, illusion, illusions, illusionism, magic, magicians, stage magic, optical illusion, spiritualism, religion, aesthetics, philosophy, perception, performance, special effects
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATJ Television
dc.subject.otherthema EDItEUR::N History and Archaeology::NH History
dc.subject.otherthema EDItEUR::J Society and Social Sciences
dc.titleIllusion in Cultural Practice
dc.title.alternativeProductive Deceptions
dc.typebook
oapen.identifier.doi10.4324/9781003188278
oapen.relation.isPublishedByfa69b019-f4ee-4979-8d42-c6b6c476b5f0
oapen.relation.hasChapterChapter 5 “The Vanishing Lady”, the railway, and illusions of movement
oapen.relation.hasChapterChapter 9 Talking rocks, illusory sounds, and projections of the otherworld
oapen.relation.isbn9781032036304
oapen.relation.isbn9781032036311
oapen.relation.isbn9781003188278
oapen.imprintRoutledge
peerreview.review.typeProposal
peerreview.anonymitySingle-anonymised
peerreview.reviewer.typeInternal editor
peerreview.reviewer.typeExternal peer reviewer
peerreview.review.stagePre-publication
peerreview.open.reviewNo
peerreview.publish.responsibilityPublisher
peerreview.idbc80075c-96cc-4740-a9f3-a234bc2598f1
peerreview.titleProposal review


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