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dc.contributor.authorFairfax, Daniel
dc.date.accessioned2021-11-06T05:04:47Z
dc.date.available2021-11-06T05:04:47Z
dc.date.issued2021
dc.date.submitted2021-10-25T07:39:34Z
dc.identifierONIX_20211025_9789048543915_3
dc.identifierhttps://library.oapen.org/handle/20.500.12657/51152
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/72552
dc.description.abstractThe uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red years" of Cahiers du cinéma produced a theoretical outpouring that was formative for the establishment of film studies as an academic discipline in the 1970s, and is still of vital relevance for the contemporary audiovisual landscape. It was also the seminal experience for a generation of critics who have dedicated the following half-century to the task of critically responding to the cinema. The Red Years of Cahiers du Cinéma (1968-1973) gives a historical overview of this period in the journal's history, combining biographical accounts of the critics who were involved with Cahiers in the post-1968 and theoretical explorations of the text they wrote.
dc.languageEnglish
dc.relation.ispartofseriesFilm Culture in Transition
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticism
dc.subject.classificationbic Book Industry Communication::H Humanities::HB History::HBT History: specific events & topics::HBTB Social & cultural history
dc.subject.classificationbic Book Industry Communication::J Society & social sciences::JP Politics & government::JPF Political ideologies::JPFC Marxism & Communism
dc.subject.otherCahiers du cinéma, film theory, apparatus theory, political modernism, French cinema
dc.titleThe Red Years of Cahiers du cinéma (1968-1973): Volume II, Aesthetics and Ontology
dc.typebook
oapen.identifier.doi10.5117/9789463728607
oapen.relation.isPublishedByde2ecbe7-1037-4e96-8c3a-5a842d921e04
oapen.relation.isbn9789048543915
oapen.imprintAmsterdam University Press
oapen.pages455


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