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Tempi der Bewegung – Modi des Gefühls. Expressivität, heitere Affekte und die Screwball Comedy

dc.contributor.authorGreifenstein, Sarah*
dc.date.accessioned2021-02-12T05:28:45Z
dc.date.available2021-02-12T05:28:45Z
dc.date.issued2020*
dc.date.submitted2020-05-08 10:43:40*
dc.identifier45198*
dc.identifier.issn25094351*
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/60625
dc.description.abstractWhat is the connection between the tempo of audiovisual images and the audience`s emotional experience? Examining the screwball comedy of the 30s and 40s, this study looks at comedy and hilarity as temporal structures. Exchanges of blows, puns, and verbal acrobatics are embedded in a complex composition of voices, facial expressions, gestures, and visual constructions. The audience experiences and enjoys combat and rage as an elegant pas de deux.*
dc.languageGerman*
dc.relation.ispartofseriesCinepoetics*
dc.subjectPN1993-1999*
dc.subject.classificationbic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinemaen_US
dc.subject.otherAffectivity*
dc.subject.othercomedy*
dc.subject.othertemporality*
dc.titleTempi der Bewegung – Modi des Gefühls. Expressivität, heitere Affekte und die Screwball Comedy*
dc.typebook
oapen.identifier.doi10.1515/9783110519662*
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5*
oapen.relation.isbn9783110519662*
oapen.pages345*
oapen.volume5*
oapen.edition2*


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