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dc.contributor.authorA cura di: Claire Davison*
dc.contributor.authorA cura di: Nathalie Vanfasse*
dc.contributor.authorA cura di: Caroline Patey*
dc.contributor.authorA cura di: Béatrice Laurent*
dc.date.accessioned2021-02-12T00:18:22Z
dc.date.available2021-02-12T00:18:22Z
dc.date.issued2013*
dc.date.submitted2015-06-25 13:43:00*
dc.identifier17230*
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/57267
dc.description.abstractAlthough it resonates today with lavender fields, sunny heritage locations and the gentrified memory of Paul Cézanne’s pictorial turbulence, Provence has not always been the attractive territory of pacified leisure and festival culture. Since the seventeenth century, indeed, the region has inscribed its shifting geography, complex politics and the extraordinary diversity of its land and seascapes in the perception and imagination of British visitors.*
dc.languageEnglish*
dc.subjectPN1-6790*
dc.subject.classificationbic Book Industry Communication::D Literature & literary studiesen_US
dc.titleProvence and the British Imagination*
dc.typebook
oapen.relation.isPublishedBycb2a1db5-5754-4ab6-bb64-d635458e30c5*
oapen.relation.isbn9788867051373*
oapen.pages235*


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