Audiovisuelle Rhythmen. Filmmusik, Bewegungskomposition und die dynamische Affizierung des Zuschauers

dc.contributor.author	Bakels, Jan-Hendrik	*
dc.date.accessioned	2021-02-11T08:40:17Z
dc.date.available	2021-02-11T08:40:17Z
dc.date.issued	2016	*
dc.date.submitted	2017-01-25 12:41:27	*
dc.identifier	20203	*
dc.identifier.issn	2509-436X	*
dc.identifier.uri	https://directory.doabooks.org/handle/20.500.12854/41554
dc.description.abstract	The book explores the relationship of movement and music in film to study the aesthetic principles of audience affect. It begins by a reconstructive analysis and theoretical reflection on the rhythmicity of films – and goes on to show the extent to which the rhythmic dimension of audiovisual images offers access to intersubjective strategies to induce affect in the movie theater.	*
dc.language	German	*
dc.relation.ispartofseries	Cinepoetics. Poetologien audiovisueller Bilder	*
dc.subject	M1-5000	*
dc.subject	PN1993-1999	*
dc.subject.classification	thema EDItEUR::A The Arts::AV Music	en_US
dc.subject.other	audiovisual composition	*
dc.subject.other	Film music	*
dc.subject.other	audience affect	*
dc.subject.other	empirical film analysis	*
dc.title	Audiovisuelle Rhythmen. Filmmusik, Bewegungskomposition und die dynamische Affizierung des Zuschauers	*
dc.type	book
oapen.identifier.doi	10.1515/9783110488319	*
oapen.relation.isPublishedBy	af2fbfcc-ee87-43d8-a035-afb9d7eef6a5	*
oapen.relation.isbn	9783110488319	*
oapen.relation.isbn	9783110491210	*
oapen.pages	viii, 291	*
oapen.volume	3	*

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