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dc.contributor.authorRichardson, Frank C.
dc.date.accessioned2021-02-10T15:05:39Z
dc.date.available2021-02-10T15:05:39Z
dc.date.issued1962
dc.date.submitted2020-06-23T07:32:46Z
dc.identifierONIX_20200623_9781469658230_34
dc.identifierOCN: 1150128343
dc.identifierhttps://library.oapen.org/handle/20.500.12657/39786
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/39472
dc.description.abstractFrom Madame de Staël, Dumas, and Taine, to Giraudoux, Adamov, Ionesco, and the existentialists, this study provides a fascinating account of the progress of Kleist's reception in France from complete rejection in 1807 to spectacular critical and public acclaim in the 1950s. Richardson argues that Kleist's success in France disproves the traditional idea that his work is "unexportable" and shows the conditions that led to his positive reception outside Germany.
dc.languageEnglish
dc.relation.ispartofseriesUNC Studies in the Germanic Languages and Literatures
dc.rightsopen access
dc.subject.otherGerman Studies
dc.subject.otherLiterature
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
dc.titleKleist in France
dc.typebook
oapen.identifier.doi10.5149/9781469658230_Richardson
oapen.relation.isPublishedByf46e5319-8d09-4c63-b9f2-a13480694ab4
oapen.relation.isFundedByNational Endowment for the Humanities
oapen.relation.isFundedByAndrew W. Mellon Foundation
oapen.relation.isFundedBy0314e571-4102-4526-b014-3ed8f2d6750a
oapen.relation.isFundedBy0cdc3d7c-5c59-49ed-9dba-ad641acd8fd1
oapen.pages224
oapen.place.publicationChapel Hill
oapen.grant.number[grantnumber unknown]
oapen.grant.number[grantnumber unknown]
oapen.grant.programHumanities Open Book Program
oapen.grant.programHumanities Open Book Program
dc.relationisFundedBy0314e571-4102-4526-b014-3ed8f2d6750a
dc.relationisFundedBy0cdc3d7c-5c59-49ed-9dba-ad641acd8fd1
dc.seriesnumber35


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