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dc.contributor.authorMouëllic, Gilles
dc.date.accessioned2021-02-10T12:58:18Z
dc.date.issued2014
dc.date.submitted2019-10-23 23:55
dc.date.submitted2020-03-27 15:48:21
dc.date.submitted2020-04-01T09:58:15Z
dc.identifier1005635
dc.identifierOCN: 1135844945
dc.identifierhttp://library.oapen.org/handle/20.500.12657/24480
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/39314
dc.description.abstractThis spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance.
dc.languageFrench
dc.languageEnglish
dc.relation.ispartofseriesFilm Culture in Transition
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::A The arts::AB The arts: general issues
dc.subject.classificationbic Book Industry Communication::A The arts::AF Art forms::AFK Non-graphic art forms::AFKV Electronic, holographic & video art
dc.subject.otherSociety & culture: general
dc.titleImprovising Cinema
dc.typebook
oapen.identifier.doi10.2307/j.ctt6wp7x9
oapen.relation.isPublishedByde2ecbe7-1037-4e96-8c3a-5a842d921e04
oapen.relation.isbn9789089645517;9789089645159
oapen.pages200
oapen.place.publicationAmsterdam


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open access
Except where otherwise noted, this item's license is described as open access