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Simone Verovio

Music printing, intabulations and basso continuo in Rome around 1600

dc.contributor.authorCampagne, Augusta
dc.contributor.editorGrassl, Markus
dc.contributor.editorKapp, Reinhard
dc.date.accessioned2021-02-10T12:58:18Z
dc.date.issued2018
dc.date.submitted2020-03-19 03:00:35
dc.date.submitted2020-04-01T12:32:37Z
dc.date.submitted2018-08-03 23:55
dc.date.submitted2020-03-19 03:00:35
dc.date.submitted2020-04-01T12:32:37Z
dc.identifier1000362
dc.identifierOCN: 1051782526
dc.identifierhttp://library.oapen.org/handle/20.500.12657/29570
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/38653
dc.description.abstractSimone Verovio was the first printer to produce a substantial number of musical prints using engraved copper plates. This intaglio printing technique not only allowed him to print on demand, but also to combine different kinds of notation on one page opening: voice parts with corresponding harpsichord and lute intabulations. This detailed comparison of intaglio and relief printing techniques in the editions associated with Verovio sheds light on the production of sheet music around 1600 and the comparison of the vocal and instrumental parts provides ground-breaking insights into historical performance practice.
dc.languageEnglish
dc.rightsopen access
dc.subject.otherMusic
dc.subject.otherMusic History
dc.subject.other16th Century
dc.subject.other17th Century
dc.subject.otherPartituren
dc.subject.otherMusical Scores
dc.subject.otherMusikgeschichte
dc.subject.otherAVGC3
dc.subject.otherAVGC4
dc.subject.otherBaroque music (c. 1600 to c. 1750)
dc.subject.otherClassical music (c. 1750 to c. 1830)
dc.subject.otherMusic
dc.subject.otherMusic History
dc.subject.other16th Century
dc.subject.other17th Century
dc.subject.otherPartituren
dc.subject.otherMusical Scores
dc.subject.otherMusikgeschichte
dc.subject.otherAVGC3
dc.subject.otherAVGC4
dc.subject.otherBaroque music (c. 1600 to c. 1750)
dc.subject.otherClassical music (c. 1750 to c. 1830)
dc.subject.otherBass (voice type)
dc.subject.otherCadence
dc.subject.otherCanzonetta
dc.subject.otherFigured bass
dc.subject.otherHarpsichord
dc.subject.otherIntabulation
dc.subject.otherLute
dc.subject.otherRome
dc.subject.otherthema EDItEUR::N History and Archaeology::NH History::NHD European history
dc.titleSimone Verovio
dc.title.alternativeMusic printing, intabulations and basso continuo in Rome around 1600
dc.typebook
oapen.identifier.doi10.7767/9783205207184
oapen.relation.isFundedByKnowledge Unlatched
oapen.relation.isFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9
oapen.relation.isbn9783205207184
oapen.collectionKnowledge Unlatched (KU)
oapen.collectionAustrian Science Fund (FWF)
oapen.imprintBöhlau
oapen.grant.number103514
oapen.grant.programKU Open Services
dc.number103514
dc.relationisFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9
dc.notes2020-01-08 03:00:27, Grantor: Austrian Science Fund/ Number: PUB 421
dc.redirect648611


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