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dc.contributor.editorContzen, Eva von
dc.contributor.editorGoodblatt, Chanita
dc.date.accessioned2021-02-10T14:08:53Z
dc.date.available2021-02-10T14:08:53Z
dc.date.issued2020
dc.identifierhttp://library.oapen.org/handle/20.500.12657/37340
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/33534
dc.description.abstractThe thirteen chapters in this collection open up new horizons for the study of biblical drama by putting special emphasis on multitemporality, the intersections of biblical narrative and performance, and the strategies employed by playwrights to rework and adapt the biblical source material in Catholic, Protestant and Jewish culture. Aspects under scrutiny include dramatic traditions, confessional and religious rites, dogmas and debates, conceptualisations of performance, and audience response. The contributors stress the co-presence of biblical and contemporary concerns in the periods under discussion, conceiving of biblical drama as a central participant in the dynamic struggle to both interpret and translate the Bible.
dc.languageEnglish
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::D Literature & literary studies
dc.subject.otherBible
dc.subject.othermedieval
dc.subject.otherearly modern drama
dc.subject.otherliterature
dc.subject.otherculture
dc.titleEnacting the Bible in medieval and early modern drama
dc.typebook
oapen.relation.isPublishedBybcb4ab08-c525-4e6c-88e5-a0cf0a175533
oapen.relation.hasChapter70af485c-0fc3-4fc9-b0e3-d1a3614b88e4
oapen.relation.isbn9781526131614
oapen.place.publicationManchester
dc.dateSubmitted2020-04-20T12:24:57Z


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