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dc.contributor.editorVicinus, Martha
dc.contributor.editorEisner, Caroline
dc.date.accessioned2021-02-10T12:58:18Z
dc.date.issued2009
dc.date.submitted2020-04-01T09:35:49Z
dc.identifier1006126
dc.identifier1006126
dc.identifierOCN: 1191616474
dc.identifierhttp://library.oapen.org/handle/20.500.12657/24007
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/32261
dc.description.abstractThis collection is a timely intervention in national debates about what constitutes original or plagiarized writing in the digital age. Somewhat ironically, the Internet makes it both easier to copy and easier to detect copying. The essays in this volume explore the complex issues of originality, imitation, and plagiarism, particularly as they concern students, scholars, professional writers, and readers, while also addressing a range of related issues, including copyright conventions and the ownership of original work, the appropriate dissemination of innovative ideas, and the authority and role of the writer/author. Throughout these essays, the contributors grapple with their desire to encourage and maintain free access to copyrighted material for noncommercial purposes while also respecting the reasonable desires of authors to maintain control over their own work.Both novice and experienced teachers of writing will learn from the contributors' practical suggestions about how to fashion unique assignments, teach about proper attribution, and increase students' involvement in their own writing. This is an anthology for anyone interested in how scholars and students can navigate the sea of intellectual information that characterizes the digital/information age.
dc.languageEnglish
dc.rightsopen access
dc.subject.classificationthema EDItEUR::C Language and Linguistics::CB Language: reference and generalen_US
dc.subject.classificationthema EDItEUR::C Language and Linguistics::CB Language: reference and general::CBV Creative writing and creative writing guidesen_US
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticismen_US
dc.subject.otherWriting
dc.subject.otherthema EDItEUR::C Language and Linguistics::CB Language: reference and general
dc.subject.otherthema EDItEUR::C Language and Linguistics::CB Language: reference and general::CBV Creative writing and creative writing guides
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
dc.titleOriginality, Imitation, and Plagiarism: Teaching Writing in the Digital Age
dc.typebook
oapen.identifier.doi10.3998/dcbooks.5653382.0001.001
oapen.relation.isPublishedByb7359529-e5f7-4510-a59f-d7dafa1d4d17
oapen.relation.isbn9780472070343;9780472050345
oapen.pages281
oapen.place.publicationAnn Arbor
oapen.review.commentsThe proposal was selected by the acquisitions editor who invited a full manuscript. The full manuscript was reviewed by two external readers using a double-blind process. Based on the acquisitions editor recommendation, the external reviews, and their own analysis, the Executive Committee (Editorial Board) of U-M Press approved the project for publication.
oapen.peerreviewExternal Review of Whole Manuscript
peerreview.review.decisionYes
peerreview.review.typeFull text
peerreview.anonymityDouble-anonymised
peerreview.reviewer.typeExternal peer reviewer
peerreview.review.stagePre-publication
peerreview.open.reviewNo
peerreview.publish.responsibilityScientific or Editorial Board
peerreview.idd98bf225-990a-4ac4-acf4-fd7bf0dfb00c
peerreview.titleExternal Review of Whole Manuscript
dc.anonymityDouble-anonymised
dc.peerreviewidd98bf225-990a-4ac4-acf4-fd7bf0dfb00c
dc.peerreviewtitleExternal Review of Whole Manuscript
dc.openreviewNo
dc.responsibilityScientific or Editorial Board
dc.stagePre-publication
dc.reviewtypeFull text
dc.reviewertypeExternal peer reviewer


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Except where otherwise noted, this item's license is described as open access