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dc.contributor.authorGoyet, Florence
dc.date.issued2014
dc.date.submitted2018-04-03 00:00:00
dc.date.submitted2020-04-01T12:50:48Z
dc.identifier646747
dc.identifierOCN: 878145065
dc.identifierhttp://library.oapen.org/handle/20.500.12657/30291
dc.description.abstractThe ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular - the late nineteenth and early twentieth centuries - even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing - particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagawa Ryūnosuke - Goyet shows that these authors were able to create brilliant and successful short stories using the very simple 'tools of brevity' of that period. In this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher-end periodicals. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. In doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre.
dc.languageEnglish
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSK Literary studies: fiction, novelists & prose writers
dc.subject.classificationbic Book Industry Communication::F Fiction & related items::FY Fiction: special features::FYB Short stories
dc.subject.otherakutagawa ryūnosuke
dc.subject.otherguy de maupassant
dc.subject.othergiovanni verga
dc.subject.otherhenry james
dc.subject.otherflorence goyet
dc.subject.othershort stories
dc.subject.otheranton chekhov
dc.subject.otherParis
dc.titleThe Classic Short Story, 1870-1925
dc.title.alternativeTheory of a Genre
dc.typebook
oapen.identifier.doi10.11647/OBP.0039
oapen.relation.isPublishedByb014b543-78bd-4c3b-bc71-b68e2ac855b9
virtual.oapen_relation_isPublishedBy.publisher_nameOpen Book Publishers
virtual.oapen_relation_isPublishedBy.publisher_websitehttps://www.openbookpublishers.com
oapen.collectionScholarLed
oapen.pages219


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open access
Except where otherwise noted, this item's license is described as open access