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dc.contributor.authorWebb, Karl Eugene
dc.date.accessioned2021-02-10T13:49:31Z
dc.date.available2021-02-10T13:49:31Z
dc.date.issued1978
dc.date.submitted2020-06-23T07:40:11Z
dc.identifierONIX_20200623_9781469658599_88
dc.identifierONIX_20200623_9781469658599_88
dc.identifierOCN: 1155812037
dc.identifierhttps://library.oapen.org/handle/20.500.12657/39840
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/31314
dc.description.abstractThis study focuses on the striking relationship between one of the most important and enigmatic poets of the twentieth century and the art and artists of the Art Nouveau. The author explores the depth of the relationship itself, examines Rilke's activities as an art critic, and analyzes the profound influence of Art Nouveau upon the themes, motifs, and structure of the poet's early works.
dc.languageEnglish
dc.relation.ispartofseriesUNC Studies in the Germanic Languages and Literatures
dc.rightsopen access
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticismen_US
dc.subject.otherGerman Studies
dc.subject.otherLiterature
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
dc.titleRainer Maria Rilke and Jugendstil
dc.title.alternativeAffinities, Influences, Adaptations
dc.typebook
oapen.identifier.doi10.5149/9781469658599_Webb
oapen.relation.isPublishedByf46e5319-8d09-4c63-b9f2-a13480694ab4
oapen.relation.isFundedByNational Endowment for the Humanities
oapen.relation.isFundedByAndrew W. Mellon Foundation
oapen.relation.isFundedBy0314e571-4102-4526-b014-3ed8f2d6750a
oapen.pages152
oapen.place.publicationChapel Hill
oapen.grant.number[grantnumber unknown]
oapen.grant.programHumanities Open Book Program
dc.relationisFundedBy0314e571-4102-4526-b014-3ed8f2d6750a
dc.relationisFundedBy0cdc3d7c-5c59-49ed-9dba-ad641acd8fd1
dc.seriesnumber90


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