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dc.contributor.authorZiolkowski, Jan M.
dc.date.issued2018
dc.date.submitted2018-12-03 12:47:17
dc.date.submitted2020-04-01T11:55:47Z
dc.identifier1002493
dc.identifierOCN: 1076655551
dc.identifierhttp://library.oapen.org/handle/20.500.12657/27514
dc.description.abstractBorn into a distinguished aristocratic family of the old Habsburg Empire, Hermynia Zur Mühlen spent much of her childhood and early youth travelling in Europe and North Africa with her diplomat father. Never comfortable with the traditional roles women were expected to play, she broke as a young adult both with her family and, after five years on his estate in the old Czarist Russia, with her German Junker husband, and set out as an independent, free-thinking individual, earning a precarious living as a writer. She translated over 70 books from English, French and Russian into German, notably the novels of Upton Sinclair, which she turned into best-sellers in Germany; produced a series of detective novels under a pseudonym; wrote seven engaging and thought-provoking novels of her own, six of which were translated into English; contributed countless insightful short stories and articles to newspapers and magazines; and, having become a committed socialist, achieved international renown in the 1920s with her Fairy Tales for Workers’ Children, which were widely translated including into Chinese and Japanese. Because of her fervent and outspoken opposition to National Socialism, she and her life-long Jewish partner, Stefan Klein, had to flee first Germany, where they had settled, and then, in 1938, her native Austria. They found refuge in England, where Zur Mühlen died, forgotten and virtually penniless, in 1951. This new, expanded edition contains: Zur Mühlen’s autobiographical memoir, The End and the Beginning; The editor’s detailed notes on the persons and events mentioned in the autobiography; A selection of Zur Mühlen’s short stories and two fairy tales; A synopsis of Zur Mühlen’s untranslated novel Our Daughters the Nazi Girls; An essay by the Editor on Zur Mühlen’s life and work; A bibliography of Zur Mühlen’s novels in English translation; A portfolio of selected illustrations of her work by George Grosz and Heinrich Vogeler; A free online supplement with additional original material
dc.languageEnglish
dc.relation.ispartofseriesb707c8c4-f9e3-4f28-9273-1fa6db7364d2
dc.relation.ispartofseries62035e27-8ddf-462a-9850-b67b11f46244
dc.relation.ispartofseriesccecd98a-723a-4082-9e27-da4ec1fa528c
dc.relation.ispartofseries8046f78a-e112-4b0d-acca-a2ca2187a1ed
dc.relation.ispartofseriese5b5492e-2c4c-4bcb-92f0-61895551edfc
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::A The arts::AC History of art / art & design styles::ACK History of art: Byzantine & Medieval art c 500 CE to c 1400
dc.subject.classificationbic Book Industry Communication::D Literature & literary studies
dc.subject.classificationbic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFH Popular beliefs & controversial knowledge::JFHF Folklore, myths & legends
dc.subject.otherMiddle Ages
dc.subject.otherreception studies
dc.subject.otherModernity
dc.subject.othermedieval studies
dc.subject.othermedievalism
dc.subject.otherphilology
dc.subject.otherliterary history
dc.subject.otherart history
dc.subject.otherfolklore
dc.subject.otherperformance studies
dc.subject.otherclassical music
dc.subject.otherJules Massenet
dc.subject.otherMary Garden
dc.subject.otherLe jongleur de Notre Dame
dc.titleThe Juggler of Notre Dame and the Medievalizing of Modernity
dc.title.alternativeVolume 4: Picture That: Making a Show of the Jongleur
dc.typebook
oapen.identifier.doi10.11647/OBP.0147
oapen.relation.isPublishedByb014b543-78bd-4c3b-bc71-b68e2ac855b9
virtual.oapen_relation_isPublishedBy.publisher_nameOpen Book Publishers
virtual.oapen_relation_isPublishedBy.publisher_websitehttps://www.openbookpublishers.com
oapen.collectionScholarLed
oapen.pages520


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