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dc.contributor.authorSemler, Liam E.
dc.date.accessioned2021-02-10T13:02:30Z
dc.date.available2021-02-10T13:02:30Z
dc.date.issued2019
dc.date.submitted2020-01-29 11:43:27
dc.date.submitted2020-04-01T09:09:16Z
dc.identifier1006899
dc.identifierhttp://library.oapen.org/handle/20.500.12657/23256
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/26392
dc.description.abstractThe Australian “Better Strangers” project has begun exploring the potential of gamified learning scenarios to enrich teacher professional development and student learning at high school and university. In May 2016, Shakeserendipity became the subject of an unsolicited newspaper review by 16-year-old South Australian student Dylan Carpinelli. Australian high school teacher Catherine Hicks shared the Macbeth Shakespeed module with her Year 12 class in North Queensland as part of a larger learning activity. Students were to write a memoir from the perspective of a minor character in Macbeth and Hicks used Shakespeed “as an activity to help them brainstorm the themes and ideas and create modern interpretations of the play.” In the Macbeth Shakespeed game the Wild Card is a YouTube audio clip of the song “Metaphor” by Swedish alternative metal band In Flames. The song’s persona reflects on the pain, sickness, and entrapment of his desire.
dc.languageEnglish
dc.rightsopen access
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studiesen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies::ATDC Acting techniquesen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies::ATDF Theatre direction and productionen_US
dc.subject.otherMacbeth
dc.subject.otherThe Tempest
dc.subject.otherShakespeare
dc.subject.otherShakespeare Reloaded
dc.subject.otherShakespeed
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies::ATDC Acting techniques
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies::ATDF Theatre direction and production
dc.titleChapter 10 Shakespeeding into Macbeth and The Tempest
dc.title.alternativeTeaching with the Shakespeare Reloaded Website
dc.typechapter
oapen.relation.isPublishedByfa69b019-f4ee-4979-8d42-c6b6c476b5f0
oapen.relation.isPartOfBookHow and Why We Teach Shakespeare
oapen.relation.isbn9780429283192
oapen.imprintRoutledge
oapen.pages10
oapen.review.commentsTaylor & Francis open access titles are reviewed as a minimum at proposal stage by at least two external peer reviewers and an internal editor (additional reviews may be sought and additional content reviewed as required).
peerreview.review.typeProposal
peerreview.anonymitySingle-anonymised
peerreview.reviewer.typeInternal editor
peerreview.reviewer.typeExternal peer reviewer
peerreview.review.stagePre-publication
peerreview.open.reviewNo
peerreview.publish.responsibilityPublisher
peerreview.idbc80075c-96cc-4740-a9f3-a234bc2598f1
peerreview.titleProposal review


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