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            Migrations, exils, errances et écritures 

            Corinne Alexandre-Garner, Isabelle Keller-Privat (dir.) (2012)
            Écrire les migrations, les errances et les exils, c’est se tourner vers les problématiques des déplacements et des passages. Se pose alors la question de la définition de l’écriture migrante, définition nécessairement ...
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            Artistes-chercheur·es, chercheur·es-artistes 

            Marion, Boudier; Chloé, Déchery (2022)
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            Le Cinéma muet italien, à la croisée des arts 

            Céline, Gailleurd (2022)
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            Star Turns in Hollywood Musicals 

            Marguerite, Chabrol; Pierre-Olivier, Toulza (2017)
            More than any other film genre, the musical of Hollywood’s Golden Age depended on the presence of performers on the bill: these personalities met the expectations of the star system and, in addition, their dancing and/or ...
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            The Digital Subject 

            Claire, Larsonneur; Arnaud, Regnauld; Pierre, Cassou-Noguès; Sara, Touiza. (2017)
            Our societies have now gone almost fully digital, which is bound to impact the ways in which the self apprehends itself, constructs itself and takes part in society. This collective essay draws upon philosophy, logics, ...
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            Eisenstein – Leçons mexicaines 

            Schifano, Laurence; Somaini, Antonio (2016)
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            L’accès à l’eau en Afrique 

            Blanchon, David; Casciarri, Barbara (2019)
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            Hériter 1962 

            Fabbiano, Giulia (2016)
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            Stars et solistes du musical hollywoodien 

            Chabrol, Marguerite; Toulza, Pierre-Olivier (2017)
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            La femme futuriste 

            Contarini, Silvia (2006)
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              This project received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 871069.

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