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Escritores y televisión en España

Más de medio siglo de intermedialidad y cultura de masas (1956-2016)

dc.contributor.authorDurán Froix, Jean-Stéphane
dc.date.accessioned2026-02-25T19:16:22Z
dc.date.available2026-02-25T19:16:22Z
dc.date.issued2025
dc.identifier.issn2695-4141
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/172430
dc.languageSpanish
dc.relation.ispartofseriesBibliothèque de la Casa de Velázquez
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATJ Television
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
dc.subject.otherCultural studies
dc.subject.otherWriter
dc.subject.otherContemporary Spain
dc.subject.otherCultural history
dc.subject.otherLiterature
dc.subject.otherTelevision
dc.titleEscritores y televisión en España
dc.title.alternativeMás de medio siglo de intermedialidad y cultura de masas (1956-2016)
dc.typebook
oapen.abstract.otherlanguageThe expansion of television in Spain from 1956 onwards prompted from its inception a fundamental shift in cultural paradigm, characterized by the displacement of the centuries-old 'graphosphere' by an innovative 'videosphere'. This book examines the significance of this phenomenon through the relationship established between writers—the foremost representatives of the declining cultural model—and television, the quintessential mass audiovisual medium.Unlike cinema, the exchanges between literature and television respond less to artistic motivation than to economic necessity, thus typifying the intermediality between both. Yet, contrary to what occurs in other countries, Spain has not had, over this half-century period, literary programmes as long-running, successful, and influential as those of other major European literary powers.Television has transformed society into a permanent spectacle in which the writer becomes subject to an 'attention economy' that alters the authorial function to the point of provoking, according to Juan Marsé, the 'death of the author'—already heralded by Roland Barthes and Michel Foucault. Nevertheless, Manuel Vázquez Montalbán, a major literary figure of the 1980s and 1990s, attests to the benefits that any polygraph can derive, both at the creative level and in terms of symbolic capital, from this profound reconfiguration of the cultural field, thereby fully embodying postmodern intermediality.With television, a new type of writer emerges: the TV personality who ventures into literature to leverage their audience while also acquiring more refined and prestigious cultural capital.
oapen.identifier.doi10.4000/14y7c
oapen.relation.isPublishedBy44e48464-88cf-488a-8356-12d480ff40f8
oapen.relation.isbn9788490964354
oapen.relation.isbn9788490964347
oapen.pagesX-293
oapen.place.publicationMadrid


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