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dc.contributor.editorBoukadi, Ola
dc.date.accessioned2025-12-09T05:24:51Z
dc.date.available2025-12-09T05:24:51Z
dc.date.issued2025
dc.date.submitted2025-12-08T14:12:47Z
dc.identifierONIX_20251208T151110_9782374962375_2
dc.identifierhttps://library.oapen.org/handle/20.500.12657/109013
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/170006
dc.description.abstractAlthough linguistic studies often focus on orality, literary studies generally give uneven attention to its representation, as writing has dominated European literature for centuries. Over time, however, the oral voice has continued to be heard within fictional writing, which has retained its connections to epic and storytelling traditions. Modern and contemporary writers even claim and explore its critical and creative potential. This volume brings together fifteen contributions that examine the forms and significance of orality in narrative fiction. Through first-person narratives, theatrical-style dialogues, or the inclusion of dialects to lend authenticity, orality shapes the world of the novel by simultaneously imitating reality and enhancing storytelling. The selected corpus, highlighting the diversity of French-language literatures, explores the range of techniques used to make characters' voices heard, staged, and individualized. A diachronic perspective—from eighteenth-century fiction to contemporary works—reveals the echoes and variations of orality across time and space, particularly between the shores of the Mediterranean.
dc.languageFrench
dc.rightsopen access
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBH Literary studies: c 1900 to c 2000
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBD Literary studies: c 1600 to c 1800
dc.subject.otherNarrative fiction
dc.subject.otherVoice and storytelling
dc.subject.otherDialogic forms
dc.subject.otherFirst-person narration
dc.titleL'oralité dans la fiction narrative
dc.title.alternativeFormes et enjeux
dc.typebook
oapen.identifier.doi10.34929/1myt-z384
oapen.relation.isPublishedBy6c87d59e-1257-4e3d-8a44-5f214ad4b13f
oapen.relation.isbn9782374962375
oapen.relation.isbn9782374962368
oapen.pages224
oapen.place.publicationReims
dc.abstractotherlanguageAlthough linguistic studies often focus on orality, literary studies generally give uneven attention to its representation, as writing has dominated European literature for centuries. Over time, however, the oral voice has continued to be heard within fictional writing, which has retained its connections to epic and storytelling traditions. Modern and contemporary writers even claim and explore its critical and creative potential. This volume brings together fifteen contributions that examine the forms and significance of orality in narrative fiction. Through first-person narratives, theatrical-style dialogues, or the inclusion of dialects to lend authenticity, orality shapes the world of the novel by simultaneously imitating reality and enhancing storytelling. The selected corpus, highlighting the diversity of French-language literatures, explores the range of techniques used to make characters' voices heard, staged, and individualized. A diachronic perspective—from eighteenth-century fiction to contemporary works—reveals the echoes and variations of orality across time and space, particularly between the shores of the Mediterranean.


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