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Grenzen der Künste im digitalen Zeitalter

Künstlerische Praktiken – Ästhetische Formen – Hermeneutische Verfahren

dc.contributor.editorMarlene Meuer, Anne
dc.contributor.editorHegenbart, Sarah
dc.contributor.editorKersten, Markus
dc.date.accessioned2025-08-23T05:09:51Z
dc.date.available2025-08-23T05:09:51Z
dc.date.issued2025
dc.date.submitted2025-08-22T10:08:19Z
dc.identifierONIX_20250822T115951_9783111398518_37
dc.identifierhttps://library.oapen.org/handle/20.500.12657/105657
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/166140
dc.description.abstractThis volumes not only asks to what extent both artistic forms and the constellations of their production and reception have changed with digitalization but is also especially interested in reflections on liminal experiences and the crossing of boundaries. It takes a range of perspectives to discuss whether the arts are being confined or opened up by digital techniques, and what this means for the art of interpretation.
dc.languageGerman
dc.rightsopen access
dc.subject.classificationthema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999::3MPQ Later 20th century c 1950 to c 1999
dc.subject.classificationthema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MR 21st century, c 2000 to c 2100::3MRB Early 21st century c 2000 to c 2050
dc.subject.classificationthema EDItEUR::6 Style qualifiers::6C Styles (C)::6CJ Computer art
dc.subject.classificationthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATN Internet and digital media: arts and performance
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies
dc.subject.classificationthema EDItEUR::U Computing and Information Technology::UB Information technology: general topics::UBB History of Computing, digital and information technologies
dc.subject.otherDigital literature
dc.subject.otherdigital art forms
dc.subject.otherdigital cultures
dc.subject.otherdigital hermeneutics
dc.titleGrenzen der Künste im digitalen Zeitalter
dc.title.alternativeKünstlerische Praktiken – Ästhetische Formen – Hermeneutische Verfahren
dc.typebook
oapen.identifier.doi10.1515/9783111398518
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isFundedBy7babd8a5-ed6a-4972-8c56-bcfe03ee7b73
oapen.relation.isFundedBybbc9c6c9-17de-4021-9b46-4adf15a72023
oapen.relation.isbn9783111398518
oapen.relation.isbn9783111397481
oapen.relation.isbn9783111399126
oapen.imprintDe Gruyter
oapen.pages262
oapen.place.publicationBerlin/Boston
oapen.grant.number[...]
dc.relationisFundedBybbc9c6c9-17de-4021-9b46-4adf15a72023
dc.abstractotherlanguageThis volumes not only asks to what extent both artistic forms and the constellations of their production and reception have changed with digitalization but is also especially interested in reflections on liminal experiences and the crossing of boundaries. It takes a range of perspectives to discuss whether the arts are being confined or opened up by digital techniques, and what this means for the art of interpretation.


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