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dc.contributor.editorRoe, Jeremy
dc.contributor.editorAndrews, Jean
dc.date.accessioned2025-01-16T22:22:20Z
dc.date.available2025-01-16T22:22:20Z
dc.date.issued2021
dc.date.submitted2024-03-28T09:54:18Z
dc.identifierOCN: 1187221282
dc.identifierhttps://library.oapen.org/handle/20.500.12657/88754
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/149884
dc.description.abstractBy exploring textual, visual and material culture, this volume presents a range of new research into the experiences, agencies and diverse political identities of Iberian women between the fifteenth and early-eighteenth century. Representing Women?s Political Identity in the Early Modern Iberian World explores how the political identities of Iberian women were represented in various forms of visual culture including: religious paintings and portraiture; costume; and devotional and funerary sculpture. This study examines the transmission of Iberian culture and its concepts of identity to locations such as Peru, Goa and Mexico, providing a rich insight into Iberia?s complex history and legacy. The collection of essays explores the lives of protagonists, which vary from queens and members of the nobility to painters and nuns, allowing for a more nuanced understanding of both the elite and non-elite woman?s experience in Spain, Portugal and their overseas realms during the early modern period. By addressing the significance of gender alongside the visual representation of political ideology and identity, this book is an invaluable source for students and researchers of early modern Iberia and the history of women.
dc.languageEnglish
dc.rightsopen access
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History::NHB General and world historyen_US
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH Historyen_US
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History::NHG Middle Eastern historyen_US
dc.subject.othermaterial culture; Visual culture; political identity; diverse political identities; sponsorship; Spanish Empire; religion; myth; protestant; festivals; Portuguese Empire; queen; ideology; space; Gender; Piety; saints; princess; ladies-in-waiting; funerary sculpture; devotion; Spectatorship; Iconography; dress; catholic; visual culture; religious paintings; Iberian women
dc.subject.otherthema EDItEUR::N History and Archaeology::NH History::NHB General and world history
dc.subject.otherthema EDItEUR::N History and Archaeology::NH History
dc.subject.otherthema EDItEUR::N History and Archaeology::NH History::NHG Middle Eastern history
dc.titleRepresenting Women's Political Identity in the Early Modern Iberian World
dc.typebook
oapen.identifier.doi10.4324/9781351010122
oapen.relation.isPublishedByfa69b019-f4ee-4979-8d42-c6b6c476b5f0
oapen.relation.hasChapterChapter 11 The Queen Consort in Castile and Portugal
oapen.relation.isbn9781351010122
oapen.relation.isbn9781138541856
oapen.relation.isbn9781138541863
oapen.imprintRoutledge
peerreview.review.typeProposal
peerreview.anonymitySingle-anonymised
peerreview.reviewer.typeInternal editor
peerreview.reviewer.typeExternal peer reviewer
peerreview.review.stagePre-publication
peerreview.open.reviewNo
peerreview.publish.responsibilityPublisher
peerreview.idbc80075c-96cc-4740-a9f3-a234bc2598f1
peerreview.titleProposal review


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Chapters in this book

  • Rodrigues, Ana Maria S.A. (2021)
    This chapter argues that to fulfil the interests of both the spouses and their original family, Maria projected herself as a Castilian infanta while Leonor built up the image of an Aragonese princess. The construction of ...