The Industrialized Designer
Gender, Identity and Professionalization in Britain and the United States, 1930-1980
| dc.contributor.author | Armstrong, Leah | |
| dc.date.accessioned | 2024-11-14T04:06:21Z | |
| dc.date.available | 2024-11-14T04:06:21Z | |
| dc.date.issued | 2024 | |
| dc.date.submitted | 2024-11-13T04:00:47Z | |
| dc.identifier | https://library.oapen.org/handle/20.500.12657/94562 | |
| dc.identifier.uri | https://directory.doabooks.org/handle/20.500.12854/147794 | |
| dc.description.abstract | What does it mean to be called an industrial designer? This book traces the remarkable rise of this professional identity in historical perspective from a position of anonymity in the early twentieth century, to mid-century professionalisation, to decline and disintegration by 1980. | |
| dc.description.abstract | Was bedeutet es, als Industriedesigner bezeichnet zu werden? Dieses Buch zeichnet den bemerkenswerten Aufstieg dieser beruflichen Identität in historischer Perspektive nach, von einer Position der Anonymität zu Beginn des zwanzigsten Jahrhunderts über die Professionalisierung in der Mitte des Jahrhunderts bis hin zum Niedergang und der Auflösung um 1980. | |
| dc.language | English | |
| dc.rights | open access | |
| dc.subject.other | Industrial design | |
| dc.subject.other | ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Industrial design (604015) | |
| dc.subject.other | Sociology of work | |
| dc.subject.other | ÖFOS 2012 -- SOCIAL SCIENCES (5) -- Sociology (504) -- Sociology (5040) -- Sociology of work (504002) | |
| dc.subject.other | Gender history | |
| dc.subject.other | ÖFOS 2012 -- HUMANITIES (6) -- History, Archaeology (601) -- History, Archaeology (6010) -- Gender history (601028) | |
| dc.subject.other | Cultural history | |
| dc.subject.other | ÖFOS 2012 -- HUMANITIES (6) -- Other Humanities (605) -- Other Humanities (6050) -- Cultural history (605002) | |
| dc.subject.other | Design, Industrial and commercial arts, illustration | |
| dc.subject.other | Thema Subject Codes -- The Arts (A) -- Design, Industrial and commercial arts, illustration (AK) | |
| dc.subject.other | Industrial design | |
| dc.subject.other | professionalisation | |
| dc.subject.other | identity | |
| dc.subject.other | gender | |
| dc.subject.other | sociology of work | |
| dc.subject.other | Britain | |
| dc.subject.other | United States | |
| dc.subject.other | the designer | |
| dc.subject.other | Industrial Design | |
| dc.subject.other | ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Industrial Design (604015) | |
| dc.subject.other | Arbeitssoziologie | |
| dc.subject.other | ÖFOS 2012 -- SOZIALWISSENSCHAFTEN (5) -- Soziologie (504) -- Soziologie (5040) -- Arbeitssoziologie (504002) | |
| dc.subject.other | Geschlechtergeschichte | |
| dc.subject.other | ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Geschichte, Archäologie (601) -- Geschichte, Archäologie (6010) -- Geschlechtergeschichte (601028) | |
| dc.subject.other | Kulturgeschichte | |
| dc.subject.other | ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Andere Geisteswissenschaften (605) -- Andere Geisteswissenschaften (6050) -- Kulturgeschichte (605002) | |
| dc.subject.other | Design, industrielle und kommerzielle Kunst, Illustration | |
| dc.subject.other | Thema Klassifizierung -- Kunst (A) -- Design, industrielle und kommerzielle Kunst, Illustration (AK) | |
| dc.subject.other | Industriedesign | |
| dc.subject.other | Professionalisierung | |
| dc.subject.other | Identität | |
| dc.subject.other | Geschlecht | |
| dc.subject.other | Arbeitssoziologie | |
| dc.subject.other | Großbritannien | |
| dc.subject.other | Vereinigte Staaten | |
| dc.subject.other | der Designer | |
| dc.title | The Industrialized Designer | |
| dc.title.alternative | Gender, Identity and Professionalization in Britain and the United States, 1930-1980 | |
| dc.type | book | |
| oapen.identifier.doi | 10.7765/9781526141040 | |
| oapen.relation.isPublishedBy | bcb4ab08-c525-4e6c-88e5-a0cf0a175533 | |
| oapen.relation.isFundedBy | a39fc2ba-9538-4bcd-965c-6702ff320840 | |
| oapen.relation.isFundedBy | b9371148-b736-41bc-8876-c3872008fb40 | |
| oapen.collection | Austrian Science Fund (FWF) | |
| oapen.imprint | Manchester University Press | |
| oapen.grant.number | https://doi.org/10.55776/PUB1117 | |
| dc.relationisFundedBy | b9371148-b736-41bc-8876-c3872008fb40 | |
| dc.relationisFundedBy | 26ae1657-c58f-4f1d-a392-585ee75c293e | |
| dc.abstractotherlanguage | Was bedeutet es, als Industriedesigner bezeichnet zu werden? Dieses Buch zeichnet den bemerkenswerten Aufstieg dieser beruflichen Identität in historischer Perspektive nach, von einer Position der Anonymität zu Beginn des zwanzigsten Jahrhunderts über die Professionalisierung in der Mitte des Jahrhunderts bis hin zum Niedergang und der Auflösung um 1980. |
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