Afficher la notice abrégée

dc.contributor.authorRehak, Bob
dc.date.accessioned2024-05-08T17:39:36Z
dc.date.available2024-05-08T17:39:36Z
dc.date.issued2018
dc.date.submitted2024-04-03T10:12:31Z
dc.identifierONIX_20240403_9781479866823_198
dc.identifierOCN: 1022788036
dc.identifierhttps://library.oapen.org/handle/20.500.12657/89480
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/136780
dc.description.abstractA rare look at the role of special effects in creating fictional worlds and transmedia franchises From comic book universes crowded with soaring superheroes and shattering skyscrapers to cosmic empires set in far-off galaxies, today’s fantasy blockbusters depend on visual effects. Bringing science fiction from the studio to your screen, through film, television, or video games, these special effects power our entertainment industry. More Than Meets the Eye delves into the world of fantastic media franchises to trace the ways in which special effects over the last 50 years have become central not just to transmedia storytelling but to worldbuilding, performance, and genre in contemporary blockbuster entertainment. More Than Meets the Eye maps the ways in which special effects build consistent storyworlds and transform genres while traveling from one media platform to the next. Examining high-profile franchises in which special effects have played a constitutive role such as Star Trek, Star Wars, The Matrix, and The Lord of the Rings, as well as more contemporary franchises like Pirates of the Caribbean and Harry Potter, Bob Rehak analyzes the ways in which production practices developed alongside the cultural work of industry professionals. By studying social and cultural factors such as fan interaction, this book provides a context for understanding just how much multiplatform storytelling has come to define these megahit franchises. More Than Meets the Eye explores the larger history of how physical and optical effects in postwar Hollywood laid the foundation for modern transmedia franchises and argues that special effects are not simply an adjunct to blockbuster filmmaking, but central agents of an entire mode of production.
dc.languageEnglish
dc.relation.ispartofseriesPostmillennial Pop
dc.rightsopen access
dc.subject.classificationthema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industriesen_US
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studiesen_US
dc.subject.otherMedia, entertainment, information and communication industries
dc.subject.otherMedia studies
dc.subject.otherthema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
dc.titleMore Than Meets the Eye
dc.title.alternativeSpecial Effects and the Fantastic Transmedia Franchise
dc.typebook
oapen.identifier.doi10.18574/nyu/9781479813155.001.0001
oapen.relation.isPublishedBy13ae9bf8-b4bf-47bb-be6d-71e5675ace48
oapen.relation.isbn9781479866823
oapen.relation.isbn9781479813155
oapen.imprintNYU Press
oapen.place.publicationNew York
dc.seriesnumber19


Fichier(s) constituant ce document

FichiersTailleFormatVue

Il n'y a pas de fichiers associés à ce document.

Ce document figure dans la(les) collection(s) suivante(s)

Afficher la notice abrégée

open access
Excepté là où spécifié autrement, la license de ce document est décrite en tant que open access