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dc.contributor.authorAllouche, Claire
dc.contributor.authorBellour, Raymond
dc.contributor.authorDelmas, Mélina
dc.contributor.authorDowd, Garin
dc.contributor.authorGalibert-Laîné, Chloé
dc.contributor.authorHeath, Theresa
dc.contributor.authorInzerillo, Andrea
dc.contributor.authorJoubert-Laurencin, Hervé
dc.contributor.authorKeidl, Philipp Dominik
dc.contributor.authorPageau, Simon
dc.contributor.authorPierre-Ulmann, Sylvie
dc.contributor.authorPourvali, Bamchade
dc.contributor.authorRollet, Patrice
dc.contributor.authorUzal, Marcos
dc.contributor.authorMayer, So
dc.contributor.authorRobertson, Selina
dc.contributor.editorSiegel, Marc
dc.contributor.editorEugène, Pierre
dc.date.accessioned2024-03-22T04:10:03Z
dc.date.available2024-03-22T04:10:03Z
dc.date.issued2024
dc.date.submitted2024-03-21T12:15:04Z
dc.identifierONIX_20240321_9783957960191_3
dc.identifierOCN: 1427431647
dc.identifierhttps://library.oapen.org/handle/20.500.12657/88698
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/135912
dc.description.abstractFrench critic Serge Daney was a central figure in film, television and media criticism of the second half of the twentieth century. He died of AIDS in 1992, just as the concept of queer cinema entered international film studies and just before the start of the digital era that has transformed film culture. This collection of new essays investigates the legacy of Daney’s work alongside considerations of feminist, queer and digital cinephilia and contemporary practices of film curation.
dc.languageEnglish
dc.relation.ispartofseriesConfigurations of Film
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticism
dc.subject.classificationbic Book Industry Communication::A The arts::AP Film, TV & radio::APT Television
dc.subject.classificationbic Book Industry Communication::G Reference, information & interdisciplinary subjects::GL Library & information sciences::GLP Archiving, preservation & digitisation
dc.subject.classificationbic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies
dc.subject.otherdigital film
dc.subject.otherfilm curation
dc.subject.othercinephilia
dc.subject.othertv criticism
dc.subject.otherfilm criticism
dc.subject.othermedia criticism
dc.subject.otherqueer cinema
dc.subject.otherfilm studies
dc.subject.otherfilm culture
dc.titleSerge Daney and Queer Cinephilia
dc.typebook
oapen.identifier.doi10.14619/0184
oapen.relation.isPublishedByac472089-6d55-48f6-b3d5-e22eef42c7db
oapen.relation.isFundedByDeutsche Forschungsgemeinschaft
oapen.relation.isFundedBy3358520f-7ab2-42ab-80ef-88a2dbe6a901
oapen.relation.isbn9783957960191
oapen.relation.isbn9783957960184
oapen.collectionDFG - German Research Foundation
oapen.imprintmeson press
oapen.pages310
oapen.place.publicationLüneburg
oapen.grant.number310565625
oapen.grant.programGraduiertenkolleg
dc.relationisFundedBy3358520f-7ab2-42ab-80ef-88a2dbe6a901
dc.seriesnumber5
dc.grantprojectGRK 2279: Konfigurationen des Films


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