Nella selva | Wildness
«Vesper» No. 3 Autunno-inverno | Fall-Winter 2020
| dc.contributor.editor | Marini, Sara | |
| dc.date.accessioned | 2023-10-05T11:15:46Z | |
| dc.date.available | 2023-10-05T11:15:46Z | |
| dc.date.issued | 2020 | |
| dc.identifier | ONIX_20231005_9788822911995_2536 | |
| dc.identifier.uri | https://directory.doabooks.org/handle/20.500.12854/116860 | |
| dc.language | Italian | |
| dc.subject.classification | thema EDItEUR::A The Arts::AM Architecture | en_US |
| dc.subject.other | Architecture & Architectural History | |
| dc.title | Nella selva | Wildness | |
| dc.title.alternative | «Vesper» No. 3 Autunno-inverno | Fall-Winter 2020 | |
| dc.type | book | |
| oapen.abstract.otherlanguage | IT. La selva torna nella cultura europea sia come immagine, capace di riassumere i caratteri dei luoghi e le modalità di attraversamento degli stessi, sia come realtà: l’avanzata dei boschi e la presenza di aree selvagge e selvatiche in città sono fatti concreti e in continua espansione. I due piani di lettura della selva, quello che la assume come figurazione per interpretare il reale e quello che la analizza come spazio evidente, chiedono la codifica di strumenti e modi per abitare questo luogo ignoto.EN. The sylvan returns to European culture both as an image, capable of distilling the character of places and the modalities of crossing them, and a reality: forests are advancing and the presence of wild and untamed areas within cities are a constantly expanding fact. The two levels of reading of the sylvan – the one taking it as a figuration through which to interpret reality and the other analysing it as evident space – require a codification of the tools and modes of inhabiting such an unknown locus. | |
| oapen.identifier.doi | 10.2307/j.ctv2z0vtn5 | |
| oapen.relation.isPublishedBy | c801fa52-fef6-4e8b-863f-1c99f72a5655 | |
| oapen.relation.isbn | 9788822911995 | |
| oapen.relation.isbn | 9788822905338 |
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